I Tried To Read The 5th Wave And Failed

I just can’t with this book.

I first saw the Fifth Wave in the bookstore a few years ago when it was brand new, and it seemed pretty interesting. It has a very good premise. It’s a dystopian YA novel (strange how that’s not only a genre now, but an oversaturated and cliche genre. What a weird time to be alive) about a girl surviving on her own in the ruins of Earth after aliens show up and destroy the place.

The alien assault comes in the form of “waves.” The first wave is an EMP blast that disabled all electronic devices and cuts off communication. The second wave is a series of bombs dropped into fault lines that trigger tsunamis which wipe out all human life near coastlines. The third wave is a virus, transmitted by birds, that not only causes people to die a painful and bloody death, but also lose their mind to the point that one victim is shown to have been chained to her bed while she ripped her own fingernails out.

The book begins after the fourth wave has begun. It has a pretty strong opening chapter, and I was hooked very quickly. The narrator, Cassie, switches back and forth between recounting the events of her life before and the way humanity dealt with the attack from “the Others,” and her current mission to travel to a nearby airbase where she believes she might find her younger brother, trekking along desolate highway while being followed by a sniper.

At first, Cassie’s tendency to wax philosophical is charming. I mean, if you can’t contemplate the futility of existence in an apocalypse that somehow manages to combine an alien invasion, a superflu, a zombie virus,, a worldwide flood, a super bomb, and the mass murder of all survivors, you really can’t ever find a time to contemplate anything. But as time goes on, it feels like author Rick Yancey was more interested in using the lens of an uber apocalypse to discuss human society than actually telling a compelling story.

And things only get more ham-fisted from here. Every point is driven home without a hint of subtlety, and simple messages that shouldn’t be difficult to grasp are slammed in with a sledgehammer. The most egregious example of this is a moment that made me roll my eyes almost out of my head. I had to put the book down and Google to see other people’s reactions because I was so incredibly annoyed.

At one point, Cassie is reciting her experience in a camp of survivors. They’re all struggling to survive and trying to figure out what the hell is going on, unsure if anyone is ever going to come and help them. Cassie herself makes a brief reference to religion before this scene, simply saying that when it comes to God, she feels like there’s some kind of a broken promise there. But leaving it at that would be subtle and understated, two things that this book is not. We’re briefly introduced to two characters surviving in the refugee camp: a religious fanatic nicknamed Mother Theresa by the others, and “the sole atheist in our camp, some college professor named Dawkins.”

Yeah, that’s a LITTLE on the nose, Rick Yancey. Let me talk about WHY I hate this so much. The point Yancey is trying (read: failing) to make here is that all fundamentalism is bad, both religious fundamentalism and… non-religious fundamentalism? I mean there’s a problem with trying to explain how someone could be a fundamentalist ahtiest when atheism is simply the rejection of a religious claim, but I get what he’s trying to say here. He’s saying that we should be level-headed in our approach to life, and not get lost moving too far to one side or the other to keep a clear view of the situation.

But this is an actual apocalypse story. The other survivors jeer at the atheist, telling him he’s going to hell, to which he reasonably responds, “How would I know the difference?”

What bothers me so much about this is not just that Yancey went with the most obvious and on-the-nose name choice possible for an atheist character by naming him after Richard Dawkins, though that annoys me too. And I won’t dwell on it for much longer, but I have now found two different interviews in which someone asked him about naming his character Dawkins, and in both of those interviews he chuckled and said “You caught that, did you?” Yeah, Rick. We ALL CAUGHT IT. It was not subtle, or clever, it was ham-fisted and graceless. Anyhow, that’s not what bothers me so much. What bothers me is the idea that in a world where all of the conceivable apocalypses have happened one on top of another, that an atheist would STILL be regarded with disgust. I mean, if you need any more proof that there is no God looking out for you, trying looking around at the nightmarish dystopian hellscape you live in. I get that people would probably turn to their faith for comfort, but like Cassie mentioned earlier in the book before this scene, it’s clear that if there was some sort of promise from God to keep people safe, he didn’t live up to it, and may as well not exist anyway. The idea that this ONE character is the SOLE atheist is ridiculous, particularly when Cassie more or less admitted to being an atheist only a few pages ago.

I did manage to get a bit of revenge when, later on when groups of soldiers arrive to take all young children away to safe houses, Mother Theresa demands that she be allowed to leave too, because “women and children should be taken first, that’s just how things are done,” seeming to go out of her way to throw everyone else under the bus. I might have enjoyed this jab at religiosity more if it hadn’t been countered by an incredibly flawed atheist strawman. Not that his Mother Theresa character wasn’t a straw man too, but at the very least, anyone could sympathize with the atheist character.

At any rate, just when I began to feel really interested in what was happening to Cassie, the story switches perspectives rather abruptly to another character called Zombie, previously Cassie’s high school crush, and his experiences becoming infected with the plague virus, and subsequent recovery. He’s hooked into a computer program called Wonderland that “maps” his experiences, basically downloading his entire personality, memories, feelings and thoughts into a computer, and then he’s sent to boot camp to train in becoming a soldier. Calling the computer program Wonderland is one of several cringe-worthy literary references that might have been clever if they weren’t so cliche. It reminds me of the villain in Cassandra Clare’s Mortal Instruments series being named Valentine, or the way the Looking Glass Wars tried to turn the Mad Hatter and Chershire Cat into anime-style martial arts badasses. It just feels so… silly. There’s kind of a trend in this series of giving silly names like Wonderland, Zombie, Nugget, Razor, Poundcake, and Dumbo. Sometimes they feel like they’re supposed to be references to other works, sometimes they just feel like unfortunate nicknames.

The story switches back to Cassie and manages to get very interesting for a few chapters, because the sniper who had been following her is an alien. Up to this point, no one has seen the aliens, but it is known that there are aliens masquerading as humans and killing people, which is called the Fourth Wave. The Fifth Wave, by the way, is never explained or even mentioned in this book, and won’t be addressed until the final book in the trilogy, but I digress. So the aliens have basically attached themselves to people’s brains and possessed their human hosts, but they aren’t a conciousness which replaces the old one (a la Stephanie Meyer’s the Host), they are still the same person they always were, only they’ve been “awakened” to who they truly are. The alien, Evan, is having trouble deciding on what to do because during the time he was hunting and stalking Cassie, he became attracted to her and began to become obsessed with her, unable to bring himself to kill her, instead nursing her back to health.

Evan is a pretty interesting character. He’s conflicted and you can see that his humanity is ultimately overpowering the alien part of himself. It does however worry me that since he is set up as Cassie’s romantic interest, this book continues the disturbing trend in YA fiction of having a female protagonist fall in love with an abusive or obsessive male partner who gives off some distinctly rape-y vibes. Still, because I’m me, I was just happy to finally have a cute boy involved in the story who I could be vicariously attracted to, because what is young adult fiction without sexual tension?

This, unfortunately, is when the book grinds to a complete halt. Evan and Cassie end up sharing a kiss and he climbs in bed with her, at which point the camera fades to black and we switch to Cassie’s younger brother, a terrified seven year old named Sam, who is brought into the safe houses after being separated from a girl he meets on the bus, and the narrative returns to Zombie, who is now in boot camp. And the book goes Full Metal Jacket on us. And you know, I really tried with this part. Firstly, I find military stories entirely boring, particularly when they involve boot camp, because I tend to view boot camp as a very strange form of physical and mental torture that we as a society have sanctioned as perfectly alright, and this book continues to espouse the supposed virtue of emotionally and mentally destroying a person through weeks and months of torture before “molding them” into a soldier, which even in real life seems to have little effect but destroying a person’s natural empathy and replacing their personality with that of a cold and ruthless machine designed to serve it’s masters, sacrificing any humanity.

But again, I digress.

I have difficulty with boot camp stories because of the above mentioned reasons, but also because it’s really not what this book has been about up to this point. And exactly halfway through the book is a very strange time to take on such a drastic change in tone. I mean, yeah, it’s still the same hopeless dystopia as the first half, but at a certain point the utter hopelessness of the story becomes unbearable. I mean, there IS no victory for these characters. At this point, most of humanity is dead. Even if they somehow defeated the aliens, there’s nothing that can be done, humanity will not survive beyond this point, any attempt to survive is pointless. And Yancey has said that the point of this story is not about victory but about endurance, but still, how compelling is a story of endurance? I mean, at the end of Gary Paulson’s book Hatchet, the main character does eventually get to go back to society. His endurance pays off. Where is the pay off here?

The thing that really pushed me over the line is that the book goes into gruesome detail describing the fate of the people who died, particularly through the lens of Casssie’s younger brother. Not only does the narrative go through the horrific details of his mother’s death and the way he lost everything he ever loved, but it does so while retaining his point of view, so that characters are still called “mommy” and “daddy” and we can see his innocence shattering. It all becomes so incredibly depressing that it’s almost too difficult to bear. This whole book is just steeped in hopelessness, and that’s the problem with it. Once you’ve breathed a sigh of relief, things can only get worse. There is never going to be any payoff for these characters.

The little boy is thrown into boot camp, a ludicrous idea even for a dystopian novel, and the drill sergeant taunts him about the death of his mother, which is probably more monstrous and unforgivable than anything that’s happened up to this point. Now granted, this drill sergeant is an antagonist, but the scene is framed in such a way that it suggests boot camp is a GOOD thing, so what is the message being sent here? I don’t know, but honestly this is the point where the book became too much for me and I had to put it down. I skimmed summaries for the rest of the book and then the rest of the series to sate my curiosity about what happened next, and I’m going to talk about it now, so consider yourself spoiler warned.

This boot camp section carries on for a while, and the narrative doesn’t return to Cassie for a long time, which as I said, grinds the story to a halt, because even though Zombie has been introduced, the central story was still mostly about Cassie. Halfway through the book is a bad time to give this novel a deuteragonist. We’d already followed Cassie, Evan and Sam, and Zombie’s section had been brief enough that it didn’t detract from the overall narrative. Frankly, I just don’t have the patience for this kind of storytelling. I know it may be important to switch focus, but I had to keep willing myself to read on beforehand, through all the gloomy atmosphere, because the story was essentially pretty good and was rolling along. I don’t have it in me to put with a boot camp section, not now. The military aspects of the book seem to be glorifying the military and even though that’s another discussion for another time, it was just too harsh of a tonal shift for me.

So, I was genuinely curious about what the hell the Fifth Wave actually was, and apparently it isn’t even explained until the third and final book in the trilogy. The big secret is that the aliens were never on earth, they were always acting remotely, and the mothership doesn’t actually house the aliens so much as it houses their equipment and their weapons. They controlled people by mapping themselves through Wonderland and then uploading themselves into people’s brains. This is meant to pull the rug out from under you, but Yancey actually did a very weird thing in the way he told the story in the first novel. You see, we learn from Cassie that the military are actually alien-controlled humans, but we switch to Zombie and Sam being cared for by the military and being given explanations about what the aliens are, even though we as readers KNOW they are the aliens. But, the information they’re giving the protagonists seem to be true, so it’s kind of a triple-bluff. I wish that the author had picked a better method of explaining the central story than several info-dumps from the point of view of side-characters, given by unreliable characters. Worse, the villains mostly seem to be pretty good people, except for the two military drill instructor types.

The general theme for this book seems to be that we as the reader are shown something, and then the characters are put into a situation where we know what’s happening and they don’t. That’s a good storytelling method in and of itself, but unfortunately, things get wonky from there. Right when I as a reader think I know what’s going on, the “bad guys” are acting good, and we’re left to wonder who exactly is the villain here. And this isn’t done in an interesting, morally ambiguous way, like a political tale in which every player has their own ends and the lines between good and evil become blurred, it’s just clunky and indistinct, leaving me as a reader not sure if the antagonists are lying or telling the truth, and not sure if the narrative itself is lying to me or telling the truth. There are lies hidden within truths hidden within lies, but it’s spun in a very ineffective way, and just left me scratching my head and unwilling to keep slogging on once the focus of the book shifted halfway through.

In case you’re curious, the ultimate ending of the series apparently keeps piling cliche upon cliche, because the sole fault in the Wonderland program is that the aliens didn’t anticipate that LOVE would become involved, and basically, love can break the spell that the program has on people, as it did with Evan and his (creepy?) romantic obsession with Cassie. Yes, that’s right, it’s the old “love trumps everything” trope, but wait, it gets better.

The reason that the aliens sent their ship there was to destroy human civilization, because humans were destroying the environment and wiping out other species, and apparently the Others go from planet to planet, wiping out civilizations that pose too much of a threat to their environments in order to keep life going. But if that’s the case, what about the Others themselves? If they have this kind of sophisticated technology, then surely they must have developed and incredibly advanced civilization that DIDN’T harm the life around themselves, in which case they could use their technology to travel to planets and help other races to take care of their home worlds, share their own technology with them, or hell, even take over the planet and become benevolent dictators. It seems like the Others went through a HELL of a lot of trouble to wipe out the majority of the human race when inevitably another race will eventually evolve to take it’s place and create it’s own civilization. And from what I can tell from plot summaries of the rest of the series, the real origins of the Others are never explained and they’re never even communicated with directly. What a let down.

The Fifth Wave, by the way, is a series of child soldiers trained by the aliens, who go and destroy what’s left of humanity, by tricking them into thinking they’re killing alien-infested people. Even though the people training them to do this are actually alien-infested, but actually not because of the whole Wonderland thing and ugh, my head hurts.

Even worse, the ultimate end for Cassie is that she downloads the memories and personalities of thousands of long-dead humans into her own mind, basically becoming Super Cassie and going on an army-of-one rampage against the antagonists, ultimately beaming herself onto the mothership with a bomb in hand, blowing herself up and destroying the mothership in the process. I don’t know if this actually defeats the Others, because clearly if they’ve done this with other planets before, they must have more ships. Did this really accomplish anything? So we have a combination of the “love conquers all” trope, the “humans will destroy the planet” trope, and the “sacrifice yourself to save Earth” trope. It’s kind of sad to me that a story with such lofty goals ends with such cliche set pieces.

And then finally, the epilogue of the series involves Zombie and Sam wandering through the ruins of the old world, basically just continuing to survive, and having some philosophical discussion about what a realm is. And that’s it. Like I said, there is no victory. No matter how long Zombie, Sam, and the other survivors make it, no matter how many generations of their children survive, humanity is still dead, all of human history is still destroyed, all of the art and music and literature and memories of past generations is gone. And the world isn’t rebooted in an Eden awash with possibilities, it’s on a planet in which much of the life has been destroyed and what land remains is littered with waste. The end.

How incredibly unsatisfying.

And that’s the Fifth Wave. I couldn’t bring myself to finish it, and honestly I’m kind of glad I didn’t. It set out with some lofty ambition, but ultimately feels pretty pointless. The point of a dystopian story is to try and overcome the dystopia, to begin rebuilding, to create a new and better world, but this? This is just sad, and hopeless from the very beginning. Pain stacked upon pain, often in horrifically morose detail. It’s strange to me that in the world of YA fiction, you can’t directly talk about penises or breasts and you can’t do any more than imply that sex happens, but you can spend chapters describing blood leaking from the eyes of children and infants dying in their cradles and bands of marauders murdering (and raping?) children. It’s a pretty sad state of affairs in general that we are so much more comfortable describing horrific violence in gory detail than talking frankly about something as natural and harmless as consensual sex. Not that that’s Rick Yancey’s fault, it’s just an observation, and it’s certainly not a new one.

And now, I can finally go read Mercedes Lackey.

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Fearies Awakening #5: Moonlight

(Special Request! I know that there are a few loyal followers who like my posts whenever I post something, and every post usually gets some attention from a few people. I’m not sure how many people actually take the time to read these blog posts, but I’m going to make a special request of you guys. If you take the time to read this, please take the time to comment, even if it’s something short and to the point.A long time ago, I read a post on someone’s blog that said said that if you’ve invested the time out of your day to read what someone has written, please also invest just one more moment to let them know what you thought of it. I almost never get comments on my blog and it means the world to me when people do comment, so please, if you like what you’re reading, leave me a comment and let me know what you think. Thanks guys, enjoy!)

 

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So I ran across a bit of a stumbling block with my last entry in chapter one. I was watching an Australian romantic comedy series called Please Like Me, and the energy of humorously awkward romance bled into my writing and it completely didn’t fit within the story. At least not at this moment in the story. I realized very quickly that I needed to take another stab at this chapter, and I’m really happy that I did. When I first wrote it, in addition to the tonal problem, I also ran across a real problem of getting my characters from one point to another: I wanted to talk about the library, but first I had to get them to the castle gate, then through the corridors leading to the library. But I don’t actually know much about the castle layout.

So how did I solve this problem? I did what I always do, I started in the middle. This picks up in the first draft right after Hephaestion tells Lucas to lead the way out of the town square, and begins inside the old library in the castle. I may come back later to flesh out how they got there, or since it isn’t terribly important, I may leave it the way it is.

Another big problem I’ve had is that some very important storyline things are about to happen right here in this library, and I have been very intimidated. My goblin is about to make his grand appearance to my protagonist, and things are going to begin being set in motion that will actually cause the events of the plot to begin to unfold. That is, surprisingly, a very daunting thing to write. I’ve spoken the scene aloud several times to myself in the shower or in other places, but I needed to get Lucas and Hephaestion into the library to make it happen.

Also, this is a note about editing, but I’m not really sure how important of a role Rex and Eric will play in the story. Because I’ve been so interested in Lord of the Rings lately, I had thought about making Rex and Eric a part of the main cast, at least in the beginning, to journey with Lucas, but I’m also considering leaving them out entirely. Rex was a spur of the moment character I invented to get Lucas to Hephaestion, and Eric is a redesign of an older character from the conceptual material. Still, I can’t say how any of this will go from here, but I’m asking you to disregard the last version of the library as no longer canon, and take this one as the truth instead. I know that editing and redrafting is something that typically happens later, but I was unable to move on with the story from where I left it before.

The preamble is a bit longer this time, but I’m happy to continue the story for you now.

Moonlight fell in blue shafts from the high, long windows of the old library, and in the illumination, the dust of a long-forgotten place danced and swirled. Lucas stood leaning on the railing that overlooked the floor beneath, where more high windows cast moonlight over the long tables beneath, covered in books that lay half open, as though they were abandoned in haste. Chairs were still pulled out and scattered among the floor, and on all sides of the room were the rows and rows of high, tall wooden shelves, filled with books whose spines stood strong and quiet in the desolate place.

The library was a part of the royal wing, and like the rest of the royal wing of the castle it had fallen into disuse and, eventually, abandoned almost entirely. Across the many shelves were gaping holes where books had been taken to be moved to the scholar’s library on the other side of the castle, where work was still done, and no doubt the lamps still burned as the night came on in full. Lucas found himself hypnotized by the site of old library, standing like a ruin in the quiet moonlight. A set of wooden stairs that had once gleamed with polish and now covered with a fine layer of dust led up to the landing where he stood, and behind him were even more rows of bookshelves, and shelves built into the walls, reaching higher than anyone could stand, and so there were ladders placed haphazardly around the area, where the scholars had cleaned out anything of particular interest long ago.

It had been ten years since Lucas had visited this place, and even in this dark state, where no lanterns burned in any corner, only moonlight and shadow, it still held it’s charm. Lucas smiled to himself and he turned around. He walked through a darkened aisle where nothing could be made out on the spines of the books, and then stopped at a shelf where the moonlight fell, and he ran his forefinger along the dusty spines.

Old leather-bound volumes with faint traces of color that had long since been worn away adorned the spaces that weren’t left empty, and he grabbed one at random to examine it, pulling it out, and in the illumination of moonlight seeing a cloud of dust erupt from it’s vacant space. The old spine gave a loud creak as he opened the book to the center and ran a hand across it’s yellowed pages. In the moonlight he could make out some of the text, but it seemed uninteresting: an old history book, and it was recounting a battle of Alexandria. Since it didn’t refer to the city as New Alexandria, it must have been outdated, and supplanted with more reliable information, so this old volume was left. He slipped it back into it’s place on the bookshelf, noticing that the two books on either side of the vacant space hadn’t budged at all, so used to sitting still and silent were they.

He explored his way through several more aisles, pausing to run his fingers along the dusty spines, but from the titles saw nothing that sparked his interest. Nothing fictional, no tales of adventures, no chronicles of great heroes. Mostly books about Alexandrian history and law. He saw littered against the stone columns scattered through the library glass cases under which terribly old volumes sat, their pages opened, the ink faded. He stopped in front of one, a shaft of blue light cast on it, and he peered down to see a crude drawing of a wolf, and some text beside it giving it a name. He wasn’t sure if this was a mythological story of an actual account of a hunter fighting a ravenous beast. It was still too difficult to make out much more than a few words.

Lucas heard a cork pop and it startled him, he turned quickly to see Hephaestion sitting against the far stone wall, just beneath a window and covered in moonlight himself. He had opened the bottle of brown liquid that he’d carried within his satchel. Lucas held the empty satchel over his shoulder, hoping that he would find something in the library worth bringing home, but so far nothing had spoken to him. He made his way over to Hephaestion and folded his arms with a look of false disapproval.

“Cadet,” said Lucas in a tone of mock authority, “Sitting about on the floor after hours in a restricted area, drinking pilfered liquor. What are we to make of you?”

Hephaestion grinned and turned the bottle up, taking one hardy swig before coughing and pressing his fist to his chest. Lucas raised his eyebrows. Hephaestion wiped his mouth and looked up, then croaked out, “Pretty good stuff.”

“Really?” asked Lucas in genuine curiosity, sitting down on the floor in front of Hephaestion, who handed him the bottle.

“No,” replied Hephaestion and cleared his throat, “Tastes like fried piss. But I think it’s supposed to.”

Lucas looked down at the bottle. Clear and a little dusty, with some words written across the front in ornate calligraphy that he couldn’t quite read in the dim light. He’d never really liked alcohol, though he’d drank wine at official dinners, and had been told by his father that to refuse the wine was an insult to the staff. He enjoyed the bitter red wine more than the sweet white wine, and he assumed from the sickening smell of this liquid that it would be bitter. He exhaled and bravely took a drink, upending the bottle the same way Hephaestion had, instantly choking, and then setting the bottle down and coughing, some of the liquid escaping from his lips as he did so. It burned his throat and seemed to remain hot as it settled somewhere in his chest.

“That is disgusting,” croaked Lucas.

Hephaestion nodded matter-of-factly. “Indeed, but I think that’s the idea.”

“Why would people knowing drink this?” asked Lucas, although he didn’t have to have an answer because even after one drink he could already feel his head swimming.

Lucas got up and walked over to the wall beside Hephaestion, who took another, more cautious drink, and kept it down this time. Lucas slid down the wall to sit beside Hephaestion, and the two passed the bottle between one another, drinking quietly.

“You know,” said Lucas after a few minutes, feeling suddenly very conversational, “There really is a magic to this old place, but the books don’t seem terribly interesting.”

Hephaestion finished a drink and shrugged, “I don’t really like reading all that much.”

Lucas felt a little puzzled, “Why not?” he asked, “Don’t you want to learn about things you didn’t know before?”
Hephaestion nodded, “Absolutely,” he said, “But I prefer to hear it from people older and wiser than me, I like to hear it spoken. I don’t mind learning about history and philosophy and even theology, I just don’t want to read it. Seems like when I read it, I’m left to sort out what it all means, but when a professor or a tutor explains it, they know how to make sense of it.”

“You just need practice making sense of things,” said Lucas, and realized his words were slurring a little.

“Do you think,” said Hephaestion, “Your father is going to be angry with you for sneaking out?”

Lucas pursed his lips and thought for a moment, then nodded, “Most definitely. I’m probably afraid. I don’t feel afraid, but I’m probably afraid. Unpleasant guy, my father.”

Hephaestion nodded in agreement, “He seems very stern.”

“He is,” replied Lucas, “And cold, and unfeeling, and demanding, and surprisingly boring. He commands respect everywhere he goes, and yet he never has much interesting to say. Always going on about politics and talking about the welfare of other people, but he doesn’t seem to show any interest in the welfare of people around him.”

“You mean you,” suggested Hephaestion.

“I mean me,” affirmed Lucas, “He absolutely could not care less about my interests, but he feels the need to have control over everything I do. I’m nineteen, I want to make my own choices.”

“It sounds nice to me, though,” said Hephaestion, “To have a parent to make rules for you. My only parents are the officers, and they believe in letting people learn things the hard way. If I want to go out in the middle of the night and get myself into trouble, I can do it, and then I can come home with a terrible headache and a black eye, and they just nod and tell me that I learned my lesson.”

“I wish my father were like that,” said Lucas, drinking bravely now, as the bottle was less than halfway full.

“No you don’t,” said Hephaestion with an edge of sadness in his voice, “I never got to know either of my parents, they died when I was so young that I don’t even know if my memories are real or if I’m just imagining them. I have this idea of what my mother probably looked like but I can’t be sure. And my father, I just remember him holding my hand and walking me around town, nothing much else. When they died, I was sent to the academy and raised by the officers.”

Lucas had heard about all of this before but it still saddened him. Even though he wished Hephaestion had had the chance to know his family, he wouldn’t have traded places with him and wished his own father on Hephaestion for anything.

“I don’t remember my mother, obviously,” interjected Lucas, “She died in childbirth. So I’ve truly never had a mother, as long as I’ve been alive. Except maybe for a minute or two. It was just my father and the nannies and tutors.”

Hephaestion snickered, “Nannies.”
“What?” asked Lucas incredulously.

“It sounds so pampered, doesn’ it?” asked Hephaestion, turning to look at Lucas with a smile, “Raised by nannies in a governer’s mansion.”

“It wasn’t our mansion until my father became governer,” said Lucas.

Hephaestion rested a hand on Lucas’ shoulder. Lucas’ pulse quickened but only slightly. “I’m sorry,” he said sincerely, “It isn’t your fault your mother died, otherwise there wouldn’t have been any nannies. I shouldn’t have been so callous.”

Lucas shook his head reassuringly, “It really doesn’t bother me to talk about my mother,” he said, “For all purposes I’ve never had one. And in as much as I’ve had a father, well… he hasn’t done a very good job of being a father.”

Hephaestion turned away from the wall and laid out flat on his back, spreading out on the floor. The light from the window was fully illuminating him. His cotton shirt was coming up just above his waist and the bottom of his stomach was exposed. In the light Lucas saw the light sprinkling of fine brown hair along his lower stomach. He also noticed the small hill in Hephaestion’s trousers between his legs, and had a difficult time looking away, since Hephaestion’s eyes were closed and he didn’t notice. Lucas shifted and then reached between his legs to adjust himself. He took another drink. He was surprised to realize it was the last of the liquor.

Hephaestion sat up suddenly, and looked directly into Lucas’ eyes. The moonlight was illuminating his face perfectly. He looked so young. He was twenty, but he might have fourteen. His auburn hair framed his face in long, bright curls, and his eyes were chestnut, the perfect complement to the color of his hair, deep eyes that always showed so much genuine emotion, framed by thick eyebrows. His skin was an olive tan, his jaw was square and his full lips were in an expression of seriousness that was in no way menacing. His eyes always seemed to be pleading to understand, there was a strength to his taut body and square features, and a gentleness in the way he applied them.

“Do you hate your father?” he asked.

Lucas was a little shocked by the question. “Why would you ask?”

“You’ve told me so many awful things about him,” said Hephaestion, “The few times I’ve spoken with him when I’ve been to your house he’s had little to say, and he does seem very cold. He frightens me. I can’t imagine what it’s like for you. And I just suddenly realized I’ve never heard you say you love him.”

Lucas thought for a moment. Did he hate his father? His immediate instinct was to affirm that he did hate him, but he wasn’t sure that hate was the right word. “I….” he began hesitantly, “I guess I just don’t really care about him. I don’t… love him. I don’t love him, but I don’t know that I hate him. I don’t care enough to hate him. I just want him to go away.”

Hephaestion looked up into the light from the window and an expression of thoughtfulness crossed his face. Then he asked, “He’s never hurt you, has he?”

Yes. In every possible way.

“Um,” said Lucas, “Well…”

“I mean physically,” added Hephaestion.

Yes.

“I, uh…” began Lucas again.

Hephaestion shook his head, “It’s fine. You don’t have to say anything. Just… I just don’t want to think of him hurting you. You deserve better than that. I want you to be safe.”

Lucas felt a warmth in his chest that came from some source other than the liquor which made his head churn. “Thank you,” he said, unsure of what else to say, “I… thank you.”

Hephaestion laid back down on his back, and spread out his limbs again. Lucas felt suddenly very brave, and he got down to his knees and crawled over, then curled up beside Hephaestion with his back to Hephaestion’s side, and Hephaestion reached down and put an arm under Lucas’ head. He rested his head on Hephaestion’s warm arm, after a few moments feeling the blood pumping a little harder to compensate for Lucas being there.

Neither of them spoke. Lucas felt warmth in his chest. He sighed contentedly. He thought he felt Hephaestion’s chest shake behind him in a slight chuckle. His eyes were heavy, and now that he was horizontal he realized the room was spinning. He shut his eyes, and the spinning stopped being disorienting and became comforting. The floor swam beneath him, and the warmth of Hephaestion’s body seemed to envelop him, and he fell asleep.

Review: Geography Club

(Originally posted in 2010 via Booksessed)

Geography Club

Geography Club
by Brent Hartinger

 Publisher: Harper Tempest/Harper Collins
Genre: Teen, Coming of Age, Gay Literature
ISBN: 978-0-06-001223-6
Format: Paperback
Vendors: I ordered this online from Barnes and Noble, it might be hard to find in a bookstore that doesn’t stock a lot of gay literature.

 

It’s five o’clock in the morning, and I’ve spent the last two or three hours reading the Geography Club by Brent Hartinger. As it is very late and I am very tired, forgive me if this review is more emotional and abstract than analytical. Ah, fuck analytical, emotional’s more fun anyway

This book was beautiful. I’m near tears after finishing it. So many emotions. The story follows Russel, a high-school sophomore, who is gay and in the closet, and pining after the sexy star player of the baseball team. When it turns out that his gay online chat buddy turns out to be that very player, things get interesting. When Russel’s best friend informs him that she is bisexual and has been carrying on a gay relationship for the last three years, and that her girlfriend also has a gay friend, the five of them attempt to meet and share their thoughts with one another. While they enjoy being able to have a place where they can be free, they have a very hard time finding one, and ultimately decide to start a school club so that they can have a free classroom in which to sit and support one another and be together, and name this club something so boring that no one will ever join: the Geography Club.

I love Russell. He is a wonderful narrator because he’s real. He’s horny enough to be believable, but together enough not to be smutty. Not that I mind super-horny. On the contrary. But still, his style of narration is witty and his emotions are very believable. I became extremely angry with Russell at certain points in the book, and I felt his excitement, and I got shivers down my spine as his relationship with his boyfriend develops and they have their sweet moments. The book stays focused on the plot without diverting too long from the romance, and as it takes place in high school, there’s a big emphasis on the absurdities of cliques. The plot remains consistent and the emotions, and the ideas behind the story, are real. This is a book that pulls together humor, romance, and even loneliness, isolation, and heartbreak. It’s a lot packed into a 200-page novel, and this is a beautiful work.

I give this book 5 out 5 dog-eared pages. So much heart.