And That’s Enough For Now

I’ve been thinking recently about what I’ve done in life, and what I haven’t done.

I turned twenty-seven years old in May. And I remember, when my older brother was in his twenties, I used to think to myself, “I won’t be like him. I wont’ be in my twenties, sleeping until the afternoon, living off my family without paying rent, having no job, staying up all night playing video games and watching movies, doing nothing with my life.”

But I was wrong. That’s exactly what I’ve done.

When I was eighteen, I graduated high school. I hated school, all twelve years of it. There was a brief period in eleventh grade when I started having fun, but mostly I hated school, and never tried very hard. Which is a shame because I was a very bright student and a naturally intelligent person. But I got terrible grades from middle school onward. I started out with the mind of a sixth grader, so the first five grades were simple, and I could coast on my natural ability, and especially my ability to read and comprehend. But starting with middle school, things got harder. And truthfully, I didn’t care.

School didn’t matter to me. Video games mattered to me. Because video games were the only thing in my life that made me feel safe and gave me something to believe in. Final Fantasy was a world I belonged in, not this one, not this world without magic or airships or crystals or monsters. This world was boring, school was boring, and when you grow up and go to work, that’s even more boring. There was no way out of the boredom except to spend as much time as possible in fantasy worlds.

My mother criticized me for living in a fantasy world, but I always found it so confusing when she told me I needed to grow up, stop spending all my time in a fantasy world and live in the real world. Because my genuine response was… why? What does this world have to offer me? There’s nothing interesting here. Just tedium, monotony.

Sex happened when I was seventeen, and I began to have some understanding of what this world has to offer. I sucked a cock before I first kissed a guy, but regardless, I enjoyed it. And for the first time I felt tethered to this reality by something, by a desire in my chest, not just to fuck, but to feel safe and loved. I had my first kiss, and the boy who kissed me laid me back on the couch and pressed his lips to mine, and then we wandered into my bedroom, my hand in his, and lay down on my mattress, and for the first time in my life I understood what sexual connection was like. The intense pleasure, not just of orgasm after orgasm, but of the smell of another person’s body, the sweat on their forehead and their armpits, the musk of a guy’s balls in a hot room where the box fan doesn’t really cool you off, but it doesn’t really matter. The need to pump yourself against one another again and again, relentlessly until there is no energy left in you, and then the moment you’re awake to do it all over again.

I experienced a broken heart. I experienced a longing to be loved. I fell in love with music, then, and I learned to play piano. I had a new passion, not just video games. Music was something real and tangible now, and it was another fantasy world to lose myself in. I began to write poetry and lyrics, and then I began to write stories, giving me another fantasy world to live in. I spoke in the voices of my characters and lived their lives in a world with more than this one could offer, and I walked around with these things constantly swirling in my mind: lust for a boy to hold close to me, the warmth of his kiss and his affection to fulfill me, the sound of the piano with all the lights out, comforting me in the darkness, the sound of the music that inspired me, the names and places and events in the stories I wrote.

I graduated high school. What was college to me? I had made a decision very early on, during the first week of Kindergarten. I remember where I was. I had gotten off the bus and walked into the school, it was so early in the morning that it was still dark outside. It may have been raining, because I seem to recall the sound of wet shoes scraping across the floor. I remember a kindly older lady standing in the middle of the hallway, directing kids to where they should go. I remember looking up at the ceiling, and how it seemed so high above me that it was like a cathedral with a domed top. I must have been six with this happened. I remember thinking, “I don’t want to be here. I hate it here. I want to go home.”

And I held on to that moment, that anger, that resentment. I never wanted to go to school. I wanted to be at home, where things that mattered were. I wanted to be with my games, and my movies, and my books, and my toys, and my friends. I didn’t care about math, or about labeling pictures on a piece of workbook paper, or about reading comprehension. Of course, I know now how important school was, and I did enjoy the feeling of excelling, particularly at reading, but still, the feeling never left me that this was not a natural place for me to be, that this was not where I belonged. I remember sitting in those classrooms for eight hours at a time, thinking about all the time that was being wasted, and drawing Sonic the Hedgehog running through green fields on the back of every sheet of paper. The stories in my head were always more interesting than learning the months of the year song, or reading aloud in class, or making popcorn, or nap time. I just wasn’t interested.

Twelve years passed, and though many things about me changed, I never let go of that old anger that I felt, looking up at that ceiling that seemed so high to the six-year-old boy, and thinking, I don’t want to be here. I remember asking in Kindergarten, how long kids have to go to school, and they said that you have to do it for twelve years. Frequently during my time in school, I would make a mental note of how many years were left, I’m sure I’m not the only one to have done that. By the time I’d reached twelfth grade, I was just ready for the damn thing to be over. My mom and everyone else pressured me to go to college, but I didn’t care about college, I had absolutely no idea what I wanted to do when I grew up, and it hadn’t occurred to me yet that I was now grown up, and it was too late to give it any more thought. Obviously you don’t need a major picked out when you start college, but still, I was entirely, completely aimless.

I knew I wanted to write, I’d like to be a novelist. But a college education doesn’t get you a publishing deal. I knew I loved playing music, even though I was still just an amateur, but a college education certainly doesn’t get you a recording contract. I knew I loved playing video games, but the process by which someone becomes an actual video game designer involves a lot of technical proficiency and training in computer coding, which wasn’t what I was interested in. So where was I supposed to go?

I said I was going to take a year off. My mom was more willing to allow a summer off, or even a half a year.

I graduated in May. I met a boy right around the same time. A month later he broke my heart, and I sunk into the most intense heartbreak I’ve ever felt. For three months, my world was nothing but tears, longing, and intense, burning loneliness. My only life preserver was a friend who lived too far away for me to possibly visit (funnily enough, it would be easy now, he was only a five hour car journey away, but five hours in a car is an impossibility when you have no vehicle, license, or driving experience), and I had no desire to go to school. My mom pressured me to get a job, but the only thing I could imagine that would be worse than going to school again would be working a job. Standing behind a counter serving food to people, or ringing people up at a register, day in and day out, an endless boring tedium with no reward except for money that’s only used to sustain you so you can go back to working the pointless job.

In December, I met another guy. He was a couple of years older than me. We had sex within an hour of meeting, on that same mattress where I’d rolled around a couple years before with the first guy to ever kiss me, and I lost my virginity. He sat down on my cock and I gasped at the unexpected feeling. I had no idea it would feel like this. He lay on his stomach and I pumped into him, collapsing beside him, my head swimming. He held me.

I felt so guilty.

I didn’t really like this guy. We didn’t have much in common. But I’d just done this with him. I was lying to him, wasn’t I? I was giving him something I didn’t really want to give to him, but it was done and it couldn’t be undone now. I was immediately conflicted. What was I supposed to feel?

He took me home with him, back to his house. We spent the weekend together. I found myself crying uncontrollably several times. This was wrong, this was all wrong. I didn’t love this guy, I didn’t even like him. But here we were, fucking again and again. And I was insatiable. I was eighteen, and I’d tasted real sex for the first time, and my body wanted more, as much as I could possibly handle and then some. I pumped myself inside of him over and over, delighting in our size difference (he was a foot taller than me and thicker around, and much stronger), but when I was inside of him I unlocked a power that existed through pure adrenaline, and his body was mine to move around, to pick up and and to hold, to lift and to fall over onto, and to roll around with. And our lips kept meeting, and our cocks kept touching and going in one another’s mouth, and I reveled in the curiosity I felt to toward his uncircumcised cock, the likes of which I’d never touched before, and he laid me out naked on his body and covered me in massage oil and rubbed my whole body. But when we weren’t fucking, I was crying, because I knew this was wrong, I knew that I didn’t know this guy at all, and that I wasn’t really interested in him.

But I couldn’t help feeling a need for him, and uncontrollable need to be near him, and when he dropped me off at home, it was torture to be separated from him. So I was caught in an endless cycle of pain and despair: being away from him was unbearable, I needed to have him close to me, but when we were together, I knew that I didn’t really care about him. But still, I needed to touch him, to fuck him, to kiss him, to hold him close. I was caught in a situation that had no way out. I could stop seeing him, but that was unthinkable, it would hurt even more than being away from him or being near him.

My obsessive compulsive disorder kicked in harder than it ever had or ever has since. I would word-vomit everything I was thinking, often saying incredibly mean and hurtful things to him because I felt the obsessive need to be completely honest with him, and told him how confused I was, how I didn’t like him, but I didn’t think he was attractive, but how I did like him, how I did think he was attractive. It was all completely paradoxical, utter nonsensical ramblings. I called my best friend and talked in circles for hours and hours, and he listened attentively, and patiently. A month went by. I told my new half-boyfriend that we should just be friends. He was heartbroken, so was I. He called my crying, he missed me. I missed him too.

Two years went by. Two years in which we continued this abusive cycle. I didn’t want to be with him, but now I was used to him, now I needed him. He wanted to be with me but I was psychologically abusing him without meaning to, because of the combination of my intense anxiety, obsessive compulsive disorder, and misguided need to be honest with him, brutally honest, about everything. He lived with his father. I lived with them too, though they insisted I just visited a lot. But I only ever went my mother’s house for a day or two a week. I cleaned up my half-boyfriend’s house, and I went to my mom’s house on the weekends, because now he was actually dating his ex-boyfriend, and still seeing me at the same time.

I got jealous. My jealously over his ex-boyfriend was greater than my love for him, but I wasn’t ready to admit that to myself. I asked him to be my boyfriend, for real this time, and I begged. And eventually, I got what I wanted. There was never a moment when we made it official, but there was a moment when it was understood. It was a terrible relationship. He had become abusive as well. He spit on me, he pissed on me in the shower, despite me asking him not to, he called me names, he didn’t listen or show attention or affection to me, and when we decided to open our relationship up so that we could flirt with other guys and invite them in for three-ways, he began spending our time together on his phone, flirting with guys instead of paying attention to me, many of whom were underage high-schoolers, but I really wasn’t ready to deal with that fact yet. He called me one night, drunk, and asked permission to go on a date with a seventeen year old. I wasn’t used to him showing me emotion, so I tried not to pass judgement on him, I just told him that what he was doing wasn’t healthy for any of us, and he shouldn’t go. But he wanted to anyway. I told him that it wasn’t my place to tell him what he could or couldn’t do, but truthfully I knew that once he went to see this guy, my feelings would be forever changed, and he did, and they were.

I developed severe agoraphobia, and rolling panic attacks that lasted throughout the day. I was only comfortable when I was inside, preferably with a video game, or with music, or something else to occupy me. I didn’t like my mind to be quiet, because then I was forced to think about what a sham this whole relationship was, what a liar I was for pretending to love him, and how angry I was at him for the way he treated me, not to mention how angry I was at myself for the way I treated him, and for allowing myself to come this far into something I’d have been better off leaving behind a long time ago.

When we broke up, two years had passed, and now I was twenty, and I had severe agoraphobia. I couldn’t start college because I needed to have a job, and I couldn’t get a job because I couldn’t go outside without having a panic attack. I started taking medication, which opened up my life and gave me possibilities again, but I still needed a job. My mom kicked me out and I lived with a lesbian couple for a few months, I found a job but I didn’t get a chance to start it because they kicked me out too, and now I lost my insurance and my medication, so I was withdrawing from it, while staying with a new boyfriend in another state. I couldn’t find a new job and we were starving, so I asked to come home, and my mom let me. The first thing I did was cheat on my boyfriend with my ex, and that relationship ended. Now I was back to where I started, and even more alone and confused than ever.

My family moved to Georgia, and after spending months moping and feeling sure that now that I was twenty-one and still had no job and no future, there was no hope for me. I began to regret not going to college. I wanted to know what it was like to be surrounded by people, to be in a pool of people which is known for containing many gay people and having a lot of potential sexual partners. I wanted the opportunity to drink or do drugs, to fuck new guys, to make friends, to feel wanted, but instead I lived in a camper in my mother’s back yard. I hadn’t stopped my abusive habit of meeting a guy, and then holding on to him even when I didn’t have feelings for him, dragging us both along and tearing us both up in the process.

I met a new boyfriend and had the same doubts I always did. After a couple months my family moved back to the Carolinas and I moved in with my boyfriend’s family, and we lived in a shabby trailer with no food and not much in the way of transportation, both of us aimless. He quit school to be with me, giving up his future as a teacher. We slept all day, played video games all night, sometimes we kissed, even rarer were the moments when we fucked. I hadn’t been very attracted to him at first, and had continued my upsetting habit of being brutally honest about that, which of course only hurt his feelings. The funny thing was I was now very attracted to him, and the more time went by the more beautiful he became to me, until I loved every inch of his body. He wasn’t as affectionate or as sexual as I was, but we shared video games a common interest, and we supplemented any actual growth or connection or work we might do in our relationship with playing video games for endless hours.

Another year had passed and now I was twenty-two. How had so much time gone by so fast? We moved in with my family, and both found jobs, then moved in with a roommate. College was still out of the question, I had to pay rent, how could I possibly go to college at the same time? My chance to go live in a college dorm, surrounded by friends and potential lovers, going to parties or having fun, spending my time learning, was gone. I had to work now.

We broke up. Another year passed. I was living in the camper again, in a different back yard. My mother told me I wasn’t allowed to come into their house for anything. I was hungry. She cooked dinner in the front yard but didn’t let me have any, and that night she texted me saying she left food for me on the back porch. I expected it to be the dinner they’d cooked, but no, it was half a bag of chips and a bottle of water. I briefly found myself in a three-way relationship with two Pagan guys, but when they wanted to introduce a fourth guy, with whom I shared a mutual animosity, things didn’t work out.

I was twenty-five now. Fuck. So much time had passed and I’d done so little. I was still so aimless. And now I wanted to go to school. The little boy who looked up at the ceiling and wanted to go home didn’t feel the same way anymore. He was still in there, though, home just became a different place. Home was an air-conditioned little building, outside in the yard, where he would sit with his computer and watch television shows and listen to music and watch porn and jerk off, then drive up the street to buy fast food. The eighteen year old who had been a hundred and seventy pounds had become the twenty five year old who was two hundred and sixty pounds, and who, though I didn’t know it yet, was developing type two diabetes.

Some friends stepped in and saved me. I packed what I could into a suitcase and a computer back, put on my heavy leather coat, and got on a train bound for Delaware. Zack showed up at the train station and took me home with him. I spent those first few months crying, having breakdowns, terrified I’d have to go back to my mother. Zack would hold me and promise me it would never be like that again.

I still couldn’t go to college, because I had to find work. I found a full-time job, I had a car, I had a smartphone and insurance, I was actually succeeding in life, for the first time. But my anxiety remained. I made things worse than they needed to be, and I gave up. I quit the job, and bounced between part-time jobs afterward. I found another full-time job in a pawn shop in the bad area of town sandwiched right between the liquor store and the homeless shelter, and I loathed going to work. I was exhausted. I was so exhausted. And now I’d learned I had diabetes. And my anxiety medication was failing me. And I didn’t know what to do next.

I decided to go back to my mom’s house voluntarily, so as not to be a strain on my roommates anymore. On the second day I realized it was a huge mistake and asked Zack and his husband if I could come home. They let me, but I just get jumping from job to job again, and with tears in his eyes, Robert told me that it was time for me to go. I packed my things again, and I came to South Carolina.

Where I still am. That was November. I’m twenty seven now. I was eighteen, and then suddenly… I’m twenty seven. I’m twenty seven and I’m two hundred and forty pounds, and I’m still no closer to achieving success. I still have no degree. I still can only hope to find a job in food service, or retail, or if I’m lucky, a call center or maybe office work (the latter of which I would like very much). I’m still writing, I’m still making music, I’m still playing video games. My novel has been written and unwritten in my head a million times over the past five years, while scraps of it exist in reality, pieces torn from different versions of the story, a hundred-thousand words of notes and concepts and scenes and old drafts. But the book is still not written. And as for my songs, it’s taken me ten years to write less than ten songs. Most of them are just ideas, floating around. There are mountains of poetry, and for that I’m glad. And there’s this blog. There’s seven years of this blog. There are thousands and thousands and thousands of words, expressing who I am.

I’m proud of that. I’m proud of this blog, of my writing, of my music, and of who I am. But the fact remains that I’m still in my mother’s house. And I’m tired of that. I just can’t live that way anymore. Sometimes, this compels me to work harder. Most often it depresses me, and I sink into my bed, which of course isn’t really MY bed at all, it’s a bed in my mother’s house, and I sigh. Because I’ve wasted so much time.

It’s never too late, I know. But still… I’m so far behind. There is so much I could have done. If I had been responsible, I’d still be in Delaware, working a full time job and making something of my life, even if I were only doing school part time or online. But no, I’m here. And it’s hot, and I’m sweating, and I woke up this morning feeling like absolute shit. There’s a boy who I love, and he lives in England, and he gave me two weeks together, and held me in his arms, and he made love to me, and he talks to me every day. But he has his own path, and there’s nothing I can do to place myself on that path right now. He’s going to teach English in another country, and I can’t go with him because I don’t have a valid reason to go to another country. And besides, what would I do there?

I’m still lost. I’m still aimless. I’ve still done so little.

So I’m sitting here at a coffee shop, and I’m putting in job applications. And I’m thinking about what comes next. I’m trying not to think about the misery I feel when I realize how trapped I still am, how incapable I am of caring for myself, how much I’ve failed. And I know plenty of people will tell me I’m not a failure, and I accept that, but I HAVE failed. I’ve failed at so much. I accomplished other things, and my failures were lessons in themselves, that taught me about life, but I’ve still failed. And truthfully, my anxiety still has me just barely hanging in there. And how can I possibly hope for some hero to swoop in and save me a second time? Zack gave me a chance and I failed him, and failed myself.

I failed those guys who I tried to love, but I failed in loving them, and maybe I haven’t really learned what love is, maybe I’m still learning how to love someone in a functional way, what love is really like. Maybe we all try to recreate our first love, and all love we feel is a dim reflection of first love that is sometimes brighter than it was the day before.

For now, all I can say is that here I am. I can’t know what happens next. I guess I can just keep hoping, and keep making tiny steps. And maybe that’s enough for this day, and for this hour.

I Tried To Read The 5th Wave And Failed

I just can’t with this book.

I first saw the Fifth Wave in the bookstore a few years ago when it was brand new, and it seemed pretty interesting. It has a very good premise. It’s a dystopian YA novel (strange how that’s not only a genre now, but an oversaturated and cliche genre. What a weird time to be alive) about a girl surviving on her own in the ruins of Earth after aliens show up and destroy the place.

The alien assault comes in the form of “waves.” The first wave is an EMP blast that disabled all electronic devices and cuts off communication. The second wave is a series of bombs dropped into fault lines that trigger tsunamis which wipe out all human life near coastlines. The third wave is a virus, transmitted by birds, that not only causes people to die a painful and bloody death, but also lose their mind to the point that one victim is shown to have been chained to her bed while she ripped her own fingernails out.

The book begins after the fourth wave has begun. It has a pretty strong opening chapter, and I was hooked very quickly. The narrator, Cassie, switches back and forth between recounting the events of her life before and the way humanity dealt with the attack from “the Others,” and her current mission to travel to a nearby airbase where she believes she might find her younger brother, trekking along desolate highway while being followed by a sniper.

At first, Cassie’s tendency to wax philosophical is charming. I mean, if you can’t contemplate the futility of existence in an apocalypse that somehow manages to combine an alien invasion, a superflu, a zombie virus,, a worldwide flood, a super bomb, and the mass murder of all survivors, you really can’t ever find a time to contemplate anything. But as time goes on, it feels like author Rick Yancey was more interested in using the lens of an uber apocalypse to discuss human society than actually telling a compelling story.

And things only get more ham-fisted from here. Every point is driven home without a hint of subtlety, and simple messages that shouldn’t be difficult to grasp are slammed in with a sledgehammer. The most egregious example of this is a moment that made me roll my eyes almost out of my head. I had to put the book down and Google to see other people’s reactions because I was so incredibly annoyed.

At one point, Cassie is reciting her experience in a camp of survivors. They’re all struggling to survive and trying to figure out what the hell is going on, unsure if anyone is ever going to come and help them. Cassie herself makes a brief reference to religion before this scene, simply saying that when it comes to God, she feels like there’s some kind of a broken promise there. But leaving it at that would be subtle and understated, two things that this book is not. We’re briefly introduced to two characters surviving in the refugee camp: a religious fanatic nicknamed Mother Theresa by the others, and “the sole atheist in our camp, some college professor named Dawkins.”

Yeah, that’s a LITTLE on the nose, Rick Yancey. Let me talk about WHY I hate this so much. The point Yancey is trying (read: failing) to make here is that all fundamentalism is bad, both religious fundamentalism and… non-religious fundamentalism? I mean there’s a problem with trying to explain how someone could be a fundamentalist ahtiest when atheism is simply the rejection of a religious claim, but I get what he’s trying to say here. He’s saying that we should be level-headed in our approach to life, and not get lost moving too far to one side or the other to keep a clear view of the situation.

But this is an actual apocalypse story. The other survivors jeer at the atheist, telling him he’s going to hell, to which he reasonably responds, “How would I know the difference?”

What bothers me so much about this is not just that Yancey went with the most obvious and on-the-nose name choice possible for an atheist character by naming him after Richard Dawkins, though that annoys me too. And I won’t dwell on it for much longer, but I have now found two different interviews in which someone asked him about naming his character Dawkins, and in both of those interviews he chuckled and said “You caught that, did you?” Yeah, Rick. We ALL CAUGHT IT. It was not subtle, or clever, it was ham-fisted and graceless. Anyhow, that’s not what bothers me so much. What bothers me is the idea that in a world where all of the conceivable apocalypses have happened one on top of another, that an atheist would STILL be regarded with disgust. I mean, if you need any more proof that there is no God looking out for you, trying looking around at the nightmarish dystopian hellscape you live in. I get that people would probably turn to their faith for comfort, but like Cassie mentioned earlier in the book before this scene, it’s clear that if there was some sort of promise from God to keep people safe, he didn’t live up to it, and may as well not exist anyway. The idea that this ONE character is the SOLE atheist is ridiculous, particularly when Cassie more or less admitted to being an atheist only a few pages ago.

I did manage to get a bit of revenge when, later on when groups of soldiers arrive to take all young children away to safe houses, Mother Theresa demands that she be allowed to leave too, because “women and children should be taken first, that’s just how things are done,” seeming to go out of her way to throw everyone else under the bus. I might have enjoyed this jab at religiosity more if it hadn’t been countered by an incredibly flawed atheist strawman. Not that his Mother Theresa character wasn’t a straw man too, but at the very least, anyone could sympathize with the atheist character.

At any rate, just when I began to feel really interested in what was happening to Cassie, the story switches perspectives rather abruptly to another character called Zombie, previously Cassie’s high school crush, and his experiences becoming infected with the plague virus, and subsequent recovery. He’s hooked into a computer program called Wonderland that “maps” his experiences, basically downloading his entire personality, memories, feelings and thoughts into a computer, and then he’s sent to boot camp to train in becoming a soldier. Calling the computer program Wonderland is one of several cringe-worthy literary references that might have been clever if they weren’t so cliche. It reminds me of the villain in Cassandra Clare’s Mortal Instruments series being named Valentine, or the way the Looking Glass Wars tried to turn the Mad Hatter and Chershire Cat into anime-style martial arts badasses. It just feels so… silly. There’s kind of a trend in this series of giving silly names like Wonderland, Zombie, Nugget, Razor, Poundcake, and Dumbo. Sometimes they feel like they’re supposed to be references to other works, sometimes they just feel like unfortunate nicknames.

The story switches back to Cassie and manages to get very interesting for a few chapters, because the sniper who had been following her is an alien. Up to this point, no one has seen the aliens, but it is known that there are aliens masquerading as humans and killing people, which is called the Fourth Wave. The Fifth Wave, by the way, is never explained or even mentioned in this book, and won’t be addressed until the final book in the trilogy, but I digress. So the aliens have basically attached themselves to people’s brains and possessed their human hosts, but they aren’t a conciousness which replaces the old one (a la Stephanie Meyer’s the Host), they are still the same person they always were, only they’ve been “awakened” to who they truly are. The alien, Evan, is having trouble deciding on what to do because during the time he was hunting and stalking Cassie, he became attracted to her and began to become obsessed with her, unable to bring himself to kill her, instead nursing her back to health.

Evan is a pretty interesting character. He’s conflicted and you can see that his humanity is ultimately overpowering the alien part of himself. It does however worry me that since he is set up as Cassie’s romantic interest, this book continues the disturbing trend in YA fiction of having a female protagonist fall in love with an abusive or obsessive male partner who gives off some distinctly rape-y vibes. Still, because I’m me, I was just happy to finally have a cute boy involved in the story who I could be vicariously attracted to, because what is young adult fiction without sexual tension?

This, unfortunately, is when the book grinds to a complete halt. Evan and Cassie end up sharing a kiss and he climbs in bed with her, at which point the camera fades to black and we switch to Cassie’s younger brother, a terrified seven year old named Sam, who is brought into the safe houses after being separated from a girl he meets on the bus, and the narrative returns to Zombie, who is now in boot camp. And the book goes Full Metal Jacket on us. And you know, I really tried with this part. Firstly, I find military stories entirely boring, particularly when they involve boot camp, because I tend to view boot camp as a very strange form of physical and mental torture that we as a society have sanctioned as perfectly alright, and this book continues to espouse the supposed virtue of emotionally and mentally destroying a person through weeks and months of torture before “molding them” into a soldier, which even in real life seems to have little effect but destroying a person’s natural empathy and replacing their personality with that of a cold and ruthless machine designed to serve it’s masters, sacrificing any humanity.

But again, I digress.

I have difficulty with boot camp stories because of the above mentioned reasons, but also because it’s really not what this book has been about up to this point. And exactly halfway through the book is a very strange time to take on such a drastic change in tone. I mean, yeah, it’s still the same hopeless dystopia as the first half, but at a certain point the utter hopelessness of the story becomes unbearable. I mean, there IS no victory for these characters. At this point, most of humanity is dead. Even if they somehow defeated the aliens, there’s nothing that can be done, humanity will not survive beyond this point, any attempt to survive is pointless. And Yancey has said that the point of this story is not about victory but about endurance, but still, how compelling is a story of endurance? I mean, at the end of Gary Paulson’s book Hatchet, the main character does eventually get to go back to society. His endurance pays off. Where is the pay off here?

The thing that really pushed me over the line is that the book goes into gruesome detail describing the fate of the people who died, particularly through the lens of Casssie’s younger brother. Not only does the narrative go through the horrific details of his mother’s death and the way he lost everything he ever loved, but it does so while retaining his point of view, so that characters are still called “mommy” and “daddy” and we can see his innocence shattering. It all becomes so incredibly depressing that it’s almost too difficult to bear. This whole book is just steeped in hopelessness, and that’s the problem with it. Once you’ve breathed a sigh of relief, things can only get worse. There is never going to be any payoff for these characters.

The little boy is thrown into boot camp, a ludicrous idea even for a dystopian novel, and the drill sergeant taunts him about the death of his mother, which is probably more monstrous and unforgivable than anything that’s happened up to this point. Now granted, this drill sergeant is an antagonist, but the scene is framed in such a way that it suggests boot camp is a GOOD thing, so what is the message being sent here? I don’t know, but honestly this is the point where the book became too much for me and I had to put it down. I skimmed summaries for the rest of the book and then the rest of the series to sate my curiosity about what happened next, and I’m going to talk about it now, so consider yourself spoiler warned.

This boot camp section carries on for a while, and the narrative doesn’t return to Cassie for a long time, which as I said, grinds the story to a halt, because even though Zombie has been introduced, the central story was still mostly about Cassie. Halfway through the book is a bad time to give this novel a deuteragonist. We’d already followed Cassie, Evan and Sam, and Zombie’s section had been brief enough that it didn’t detract from the overall narrative. Frankly, I just don’t have the patience for this kind of storytelling. I know it may be important to switch focus, but I had to keep willing myself to read on beforehand, through all the gloomy atmosphere, because the story was essentially pretty good and was rolling along. I don’t have it in me to put with a boot camp section, not now. The military aspects of the book seem to be glorifying the military and even though that’s another discussion for another time, it was just too harsh of a tonal shift for me.

So, I was genuinely curious about what the hell the Fifth Wave actually was, and apparently it isn’t even explained until the third and final book in the trilogy. The big secret is that the aliens were never on earth, they were always acting remotely, and the mothership doesn’t actually house the aliens so much as it houses their equipment and their weapons. They controlled people by mapping themselves through Wonderland and then uploading themselves into people’s brains. This is meant to pull the rug out from under you, but Yancey actually did a very weird thing in the way he told the story in the first novel. You see, we learn from Cassie that the military are actually alien-controlled humans, but we switch to Zombie and Sam being cared for by the military and being given explanations about what the aliens are, even though we as readers KNOW they are the aliens. But, the information they’re giving the protagonists seem to be true, so it’s kind of a triple-bluff. I wish that the author had picked a better method of explaining the central story than several info-dumps from the point of view of side-characters, given by unreliable characters. Worse, the villains mostly seem to be pretty good people, except for the two military drill instructor types.

The general theme for this book seems to be that we as the reader are shown something, and then the characters are put into a situation where we know what’s happening and they don’t. That’s a good storytelling method in and of itself, but unfortunately, things get wonky from there. Right when I as a reader think I know what’s going on, the “bad guys” are acting good, and we’re left to wonder who exactly is the villain here. And this isn’t done in an interesting, morally ambiguous way, like a political tale in which every player has their own ends and the lines between good and evil become blurred, it’s just clunky and indistinct, leaving me as a reader not sure if the antagonists are lying or telling the truth, and not sure if the narrative itself is lying to me or telling the truth. There are lies hidden within truths hidden within lies, but it’s spun in a very ineffective way, and just left me scratching my head and unwilling to keep slogging on once the focus of the book shifted halfway through.

In case you’re curious, the ultimate ending of the series apparently keeps piling cliche upon cliche, because the sole fault in the Wonderland program is that the aliens didn’t anticipate that LOVE would become involved, and basically, love can break the spell that the program has on people, as it did with Evan and his (creepy?) romantic obsession with Cassie. Yes, that’s right, it’s the old “love trumps everything” trope, but wait, it gets better.

The reason that the aliens sent their ship there was to destroy human civilization, because humans were destroying the environment and wiping out other species, and apparently the Others go from planet to planet, wiping out civilizations that pose too much of a threat to their environments in order to keep life going. But if that’s the case, what about the Others themselves? If they have this kind of sophisticated technology, then surely they must have developed and incredibly advanced civilization that DIDN’T harm the life around themselves, in which case they could use their technology to travel to planets and help other races to take care of their home worlds, share their own technology with them, or hell, even take over the planet and become benevolent dictators. It seems like the Others went through a HELL of a lot of trouble to wipe out the majority of the human race when inevitably another race will eventually evolve to take it’s place and create it’s own civilization. And from what I can tell from plot summaries of the rest of the series, the real origins of the Others are never explained and they’re never even communicated with directly. What a let down.

The Fifth Wave, by the way, is a series of child soldiers trained by the aliens, who go and destroy what’s left of humanity, by tricking them into thinking they’re killing alien-infested people. Even though the people training them to do this are actually alien-infested, but actually not because of the whole Wonderland thing and ugh, my head hurts.

Even worse, the ultimate end for Cassie is that she downloads the memories and personalities of thousands of long-dead humans into her own mind, basically becoming Super Cassie and going on an army-of-one rampage against the antagonists, ultimately beaming herself onto the mothership with a bomb in hand, blowing herself up and destroying the mothership in the process. I don’t know if this actually defeats the Others, because clearly if they’ve done this with other planets before, they must have more ships. Did this really accomplish anything? So we have a combination of the “love conquers all” trope, the “humans will destroy the planet” trope, and the “sacrifice yourself to save Earth” trope. It’s kind of sad to me that a story with such lofty goals ends with such cliche set pieces.

And then finally, the epilogue of the series involves Zombie and Sam wandering through the ruins of the old world, basically just continuing to survive, and having some philosophical discussion about what a realm is. And that’s it. Like I said, there is no victory. No matter how long Zombie, Sam, and the other survivors make it, no matter how many generations of their children survive, humanity is still dead, all of human history is still destroyed, all of the art and music and literature and memories of past generations is gone. And the world isn’t rebooted in an Eden awash with possibilities, it’s on a planet in which much of the life has been destroyed and what land remains is littered with waste. The end.

How incredibly unsatisfying.

And that’s the Fifth Wave. I couldn’t bring myself to finish it, and honestly I’m kind of glad I didn’t. It set out with some lofty ambition, but ultimately feels pretty pointless. The point of a dystopian story is to try and overcome the dystopia, to begin rebuilding, to create a new and better world, but this? This is just sad, and hopeless from the very beginning. Pain stacked upon pain, often in horrifically morose detail. It’s strange to me that in the world of YA fiction, you can’t directly talk about penises or breasts and you can’t do any more than imply that sex happens, but you can spend chapters describing blood leaking from the eyes of children and infants dying in their cradles and bands of marauders murdering (and raping?) children. It’s a pretty sad state of affairs in general that we are so much more comfortable describing horrific violence in gory detail than talking frankly about something as natural and harmless as consensual sex. Not that that’s Rick Yancey’s fault, it’s just an observation, and it’s certainly not a new one.

And now, I can finally go read Mercedes Lackey.

Why I Love Kesha

My relationship to Kesha is a curious one. She appeared at a weird time in my life.

On the surface, Kesha seems to be everything I hate about pop music: trite unoriginal pop songs with simple melodies and attention-grabbing hooks but otherwise little substance, cliche or vapid childlike lyrics, shallow subject matter that deals only with partying, sex, vague relationship woes, and verse-rap bragging peppered in between overly-synthesized and overproduced electro pop that is substantive enough to be entertaining but not enough to be unique, and lackluster vocals that are autotuned to the point that no one could have seriously thought the artist was ever really a decent vocalist to begin with in the first place.

I get that. I get the problems with Kesha. I get the reasons that people don’t like her. The above paragraph might lead you to believe I can’t stand her, but curiously nothing could be farther from the truth.

I started out hating her for all of the reasons mentioned above. Like everyone else on planet Earth in 2009, I too was subjected to endless repetitions of her breakout single Tik Tok on the radio, and like everyone else I was annoyed by it’s vapidity but secretly just a little bit entertained by it. But really, I genuinely didn’t like her. She sounded plain trashy. She clearly looked like a hot mess. Her aesthetic has always been “rave girl who hasn’t showered in several weeks and rolled around in garbage and glitter.”

But the truth is, Kesha is not what she appears to be. And the weird thing about is, she isn’t the OPPOSITE of what she appears to be either. She makes frivolous pop music, and she MEANS to do it, she means what she’s saying. She WANTS to be a pop star, and she isn’t making pop music ironically to try and expose the flaws in the medium. The pop music she’s making is genuine.

There are a group of listeners who consider Kesha to be another drop in the bucket, overly-autotuned pop singer cranking out tunes mostly made by producers, with little talent for songwriting or for singing. This is not the case. Kesha isn’t vapid or dumb. She’s incredibly intelligent, she has a genius IQ and received nearly perfect SAT scores. She’s driven and passionate and knows what she’s doing. However, don’t let that lead you to believe that Kesha is in fact an architect and student of Victorian literature whose lifelong art project has been to deconstruct the mythos of the pop star by playing one, laughing pretentiously in her study at night over a glass of sherry at plebeian pop fans who’ve bought into her charade.

The thing that makes Kesha unique among a slew of pop stars is the fact that she’s entirely authentic.

She comes from a humble background. In a life story that seems almost too perfectly fitting with her dirty rave girl aesthetic to be true, Kesha’s mother got incredibly drunk at a party and doesn’t remember the hookup that led to her becoming pregnant, and nine months later gave birth to Kesha Rose Sebert without the slightest idea (or worry) about who the father was. Kesha was raised by her single mother, a wonderful hippie songwriter called Pebe, and together with her brothers the family seems to have lived in an open, accepting home environment. Kesha definitely has hippie elements in her personality, and she speaks with a gentle slur that makes it sound like she’s always intoxicated, and a Californian accent that immediately calls to mind the movie Heather. I think. I’ve never seen Heather. Moving on.

Kesha moved to Nashville to become a musician, and spent many years writing her first album Animal. She made a lot of friends in the business, including fellow newcomer Katy Perry, and her first major role in the pop world wasn’t in her own song but as an extra in Katy Perry’s I Kissed A Girl music video. Go watch the video and near the end there are several sexy blonde girls sitting around a pool with Katy, and there she is, she even has her own close up shot for a moment. Kesha also wrote songs for many other musicians while working on her first album. The first song to put her on the map was Flo Rida’s “Right Round,” a simplistic and artless reworking of the classic song You Spin Me Round by Dead Or Alive into a sugary pop-rap tune with almost no substance whatsoever. When Flo Rida was working on the song, he decided he wanted to try out having a female vocalist on the chorus, and Kesha was working nearby in the same studio, so she was pulled in and recorded some vocals for the chorus. Because of some legalities, or the absence thereof, when Right Round became a worldwide smash hit, Kesha received absolutely no royalties for the song, and continued to live the life of a starving artist scraping to get by, while her voice was playing on every radio in the country and she remained unknown and unpaid.

This is where the infamous dollar sign in her name comes from. Her name is almost always stylized as Ke$ha, leading to some cute jokes in which people pronounce her name Kee Dollar Sign Hah, but it was conceived as a joke about the irony of the circumstance Kesha found herself in: everyone would assume she was rich, being in a worldwide hit single, but she got cheated out of any share of the money. As time would tell, she was cheated out of a lot by the music industry and the shady characters therein, and I’ll come back to that in a bit.

So, enter me. A ninenteen year old gay kid living in the south, struggling desperately to deal with a tumultuous life, and just coming out of a rather powerful bout of Christian zeal. I spent about a year of my life completely devoting my time and energy to being a Christian, and I took it very seriously, and I even achieved some small level of peace, but ultimately I realized it was a coping mechanism, and this time when I came out of Christianity I left it behind for good.

I was fairly aimless at the time. I’d hated school my whole life, and I’d graduated a year earlier. I did not want to go to college because I just hated school and didn’t want to experience any more of it, but I didn’t want to work either, both because I hate the tedium of boring and strenuous minimum wage jobs, and because I’ve been dealing with debilitating anxiety since I was sixteen, complete with rolling panic attacks that for all intents and purposes never really end or begin, but just go on forever. I wasn’t medicated whatsoever at the time, and I was struggling with severe agoraphobia that was developing in my life.

I was in a relationship that was both abusive and incredibly unsatisfying. I was entirely aimless, I was sad, I was lonely, I was horny, and I was frustrated in every possible way. Spiritually, sexually, emotionally, and mentally, I was frustrated to a breaking point. But I’d never had any suicidal tendencies (yet, that would come later) and never self-harmed, so I had no outlet, no real way to truly break down.

My boyfriend and I took a trip to Virginia and spent the night at some friends’ house. These friends happened to be another gay couple, and they threw a party which involved two more gay couples. One of those couples left once the drinks started flowing, leading to there being a grand total of six of us in the house. We got drunk, we got horny, and I, having never actually been drunk before, was eager to use the “oh it’s my first time being intoxicated” excuse to put as many dicks in my mouth as I could before everyone started to say no.

Does that sound a little rapey? It probably does. I can’t say I was in a good state of mind.

At any rate, there was a lot of sexual activity that night between just about everyone, pairing off for a few minutes with one another at different points. The radio was on, and Kesha’s hit single Tik Tok was booming through the house and I put my tongue into several orifices of several guys, and then spent the night in a cuddle sandwich with my boyfriend and one of the others who had broken away from the pack and basically let us fondle him the entire night.

All in all, it was pretty fun.

The next morning I had something of a hangover, which is honestly quite rare for me.

On the way home, Tik Tok was playing on the radio.

I don’t know why, I don’t understand it, but suddenly, I just got it. I enjoyed it. I had fun with that song. It was great. I didn’t want to stop listening to it.

Now, I know it sounds more like a joke than a real story: I never really liked Kesha until I participated in a drunken six-way gay orgy with some delightfully Virginian, slightly trashy gay guys. But it happens to be true.

When I got home the following day I honestly felt like I was still drunk. I sat in my bedroom, my head swimming, and looked up Kesha on iTunes, listened to the samples from Animal and read some of the reviews. I was disheartened. The reviewers were all mostly saying the same thing: the music was samey and average, the lyrics were so juvenile they sounded like they were ripped from the diary of a sixth grader dealing with boyfriend drama for the first time, and her singing voice was terrible and autotuned to the point of ludicrousness. I agreed with all of these assessments and quickly decided that Tik Tok was in fact a guilty pleasure, and that in general I still disliked Kesha.

But I couldn’t quite get that song out of my head.

My dysfunctional relationship progressed, as did my anxiety. I dove headlong into a Tori Amos phase from which I have never resurfaced, and mostly forgot about Kesha. I did torrent Animal at one point and gave it another cursory listen but I wasn’t terribly impressed. I fell in love with Imogen Heap, Florecne and the Machine, and many others, and continued to keep Kesha mostly out of my mind. When I finally broke up with the aforementioned boyfriend it happened to be right at the same time that my agoraphobia and anxiety had gotten so bad that I’d developed the curious symptom of alternating between sharp pains on the entire life side of my body or being completely numb in the same places. I was finally put on medication, and like magic, my panic attacks just disappeared. I was riding the first wave of stimulants I’d ever experienced, since I’d never done any kind of drugs before, and I was riding high on the antidepressants which elevated my mood and let me have gloriously peaceful and undisturbed sleep at regular intervals, and the relief and freedom of being done with an abusive relationship and having the freedom to love and to fuck whoever I wanted, provided I could find someone.

It was then that Kesha returned.

I don’t exactly remember what caused it. I just remember being high on my antidepressants, feeling adventurous and excited about going to gay clubs and finally getting my young adult life started, and I went back to those downloaded audio files from Animal, and turned them on, and I became completely hooked.

I listened to Animal front to back, non-stop, for several weeks. I didn’t listen to almost anything else. I fell absolutely in love with the music and started to learn a little more about Kesha. I still understood a lot of the complaints: some of the lyrics were trite, but there were also a lot of hidden gems that you wouldn’t have guessed existed. Tik Tok and Take It Off were big hits all about partying, but other songs on the album lamented the darker aspects of being a party girl, of trying to find solace in living in the moment and enjoying the night as much as possible because it’s all you truly have. Hungover, Blind, Animal, and Dancing With Tears In My Eyes are all very emotional songs about the loss of love and the difficulty of trying to live day to day in a haze of partying. There’s a longing in these songs for something, an emptiness, and a willingness to be up front about the good and the bad, to be unapologetic about sex and fun and relationships, to call things like the way they are.

My little sister joined me on this adventure and loved listening to Kesha with me, and was actually nice enough to buy me a physical copy of Animal with some money she’d been given, which I still have. Later on, when Kesha started to release singles for Animal’s companion EP Cannibal, I downloaded them all as they were released and ordered a copy of the two combined into one two-disc album (Animal + Cannibal) that came with a cute little “K$” temporary tattoo which I intended to put on my cheek at my first concert, and which I have still never used but remains in the case. When I attended my first real concert last year, the Dresden Dolls at Coney Island, I was sad when I realized I’d forgotten to bring along my Kesha tattoo for my first concert. But at least I still remembered. That’s something.

The companion EP Cannibal was a great nine-track romp that fit the atmosphere of Animal perfectly while managing to expand on it. The songs were still about partying and having fun authentically and unapologetically, but there was a song called The Harold Song which absolutely broke my heart and still continues to be one of my favorite songs. It’s a beautiful and melancholy song about the loss of love that really affected me at the time because I was dealing with a terrible breakup, and this song was a companion in that pain and darkness for me. At first I thought that Cannibal deliberately mirrored the songs on Animal (Grow A Pear has a chorus very similar to Tik Tok, elements of Tik Tok are incorporated into Cannibal, Animal itself is included as the last song in remixed form, and many other songs seem to borrow elements of songs directly from Animal), and I’m still not sure if it was done intentionally or if the song structures were just all very similar and working from the same pop framework.

Kesha is honest and authentic, and I think that that’s what makes her special. I think this is also the reason that people like Kanye West, but I just can’t bring myself to think that guy is anything but a self-absorbed douche. Kesha delivers pop cliches with a slight wink because she knows it’s cliche, but she’s doing it authentically. And she isn’t a bad vocalist either. The thing that confused me the most about Animal was the fact that Kesha’s voice is very unnecessarily autotuned in many of the songs.

Kesha is an incredibly prolific songwriter, and there are literally more than a hundred demos for Animal that never made it onto the album. One song, a completely acoustic breakup song called Goodbye, is a really great glimpse into an unfiltered Kesha with all of the pop trapping stripped away: her voice is soulful and unique, and her intonation is similar to Alanis Morissette. Her vocal ability is surprising, it doesn’t completely blow you away, but it’s not at all what you’d expect after hearing so much autotune and vocal effects on her album. She also released another EP between Cannibal and her second album Warrior called Deconstructed, which contains simplified emotional mixes of several of her songs, including The Harold Song, with her vocal ability really put on full display.

I still don’t really understand why she chose to allow herself to be autotuned so much when she didn’t really need it, although considering the dynamic between herself and her producer Dr. Luke that came to light later, it’s not difficult to imagine that maybe he made the decision for her. I don’t really know.

And with that we come to Dr. Luke. Kesha came forward and filed a lawsuit against Dr. Luke for raping her, and for abusing her. I don’t really know if there was physical abuse, and I’m not going to look it up. The thing is, I’ve purposely avoided learning the details of this lawsuit. Kesha’s entire career came to a halt because under her contract she was unable to release any music unless she dropped the lawsuit against Dr. Luke, and he vehemently denied ever having abused her, despite many other women in the music industry coming forward to say they’d suffered abuse at his hands as well. Honestly, my heart was just too broken for Kesha to read the details. I couldn’t handle it. I was having a hard enough time holding my own life together, and to know that someone who I had come to greatly admire and respect had been hurt so badly, and who was being treated unfairly by an unfeeling system, it was too hard. It’s why I still don’t know all the details. I do know that eventually Kesha was forced to drop the lawsuit so she could continue to make music, but I still don’t know many more details. I know that during her absence she appeared at a few live events, and at one of them gave an incredible performance of When It Happens To You by Lady Gaga, a song about surviving rape.

Kesha also briefly had her own reality show which I watched the majority of online and greatly enjoyed. It really showed her beautiful personality, and the general carefree and honest way in which she lives her life. It made me smile to watch it, and it gave me hope.

I used to have this poster on my wall, and alongside the topless poster of Lady Gaga, I imagine that anyone looking at my room was probably really confused about my sexuality

Kesha inspires me. Her strength, her dignity, her willingness to create. There was a moment during Kesha’s reality show where her little brother was attempting to write a song, and she was giving him writing advice. The advice was this: “You have to be willing to let yourself suck.” As a musician and a writer, this has been one of the most important pieces of advice I’ve ever absorbed. What she meant was that when you start out at anything, you’re not going to be incredible. With drawing, composing music, or writing, you start out as a novice, and even your best, most polished efforts, are still going to be less than perfect. You’ll probably experience a few flashes of incredible creativity and accidentally stumble upon expressing yourself honestly and with style, but you have to be willing to let yourself create something that is less than perfect. Kesha’s hundreds of demos are a testament to that. Many of those songs are not that great, but they’re all honest and authentic, and that’s the thing about Kesha that I admire so much.

You have to be willing to let yourself suck. You have to be willing to create whatever is in your heart, and sometimes it’s not going to be great, but you have to be willing to do it. Lady Gaga has said something somewhat similar, which is “You have to respect your vomit.” She was referring to one of her songs, and about how the lyrics come in a rush, and she just word vomits them out, and that she then chooses to respect her vomit, respect those words for being authentic and in the moment. This proverb doesn’t inspire me quite as much but it’s worth mentioning in conjunction with Kesha’s advice from above.

And so, in a surprising twist, I ended up loving an artist who I thought represented everything I hated about manufactured pop music. While, yes, the element of pop manufacturing is there, Kesha’s honesty and brazen authenticity still shines through, and even though some of her songs are a bit cliche, her music is a surprise. Her personality is a surprise. Everything about her is a surprise, if you assume that the dirty glitter party girl you see on the cover is as shallow as her surroundings suggest. I don’t know how much irony she injects into her style, but Kesha is a worthwhile person and a worthwhile musician. She’s an activist for animal rights, she loves the gay community and has immense appreciation for her fans, and she approaches life with the kind and passive attitude of a hippie but the fortitude of a revolutionary. Her voice is real and true, even though there’s sometimes a layer of autotune.

The Changeling – Part One

So I accidentally started writing a horror story.

I was listening to a podcast called Lore which was creeping me out a bit, and which is narrated atop the sounds of soft piano music, and I heard something mentioned about an old legend involving fairies, and I just got a sudden surge of inspiration. I didn’t fight it, I just went with it.

So I sat down, put Moonlight Sonata on repeat, and started writing. Fair warning, this is a creepy story, and it isn’t finished yet, so be prepared for weird stuff going in. We’ll see what happens with this.

 


 

The fairy’s footsteps did not stir the twigs beneath her bare feet. The soft beating of her translucent wings did not make any sound in the dense night music of frogs and mosquitoes.

“Careful,” she whispered in a voice so smooth and soft that it was indistinguishable from the sigh of the night breeze, “We mustn’t wake anyone, or they’ll be onto us.” Next to her another fairy nodded, her eyes full of devotion. In the arms of the second fairy were a tiny bundle wrapped in fine silken cloth. Something moved inside it, but she took no notice.

The fairies crept closer to the small wooden house that stood amongst the trees. There were no lights on inside, and the moon shone brightly down, a spotlight illuminating that tiny house made of logs chopped from the trees of that very forest. A small wooden drawbridge passed over the stream next to which the house was built, and the fairies’ feet felt the warm texture of the wood as they passed over, with footsteps so light they may as well have been gliding.

They checked the window by the front door, but found it closed and locked. They crept quickly around to another side of the house and found it windowless, on the third side they found two windows. Behind the first one they saw a figure, a man with his back turned to the window. He was naked and the moon shone brightly upon him, illuminating his deep tan skin, his leg was thrown over something they could not see, and the curve of his buttocks reflected the light. The fairy holding the bundle suppressed a giggle. Her companion gave her a chiding look, and she nodded silently, her face falling back to an expression of utter seriousness.

They passed to the second window. Behind the glass they saw what they had come for, a wooden cradle, and in it a bundled child laying on its back. The fairies’ heartbeats both quickened at once when they saw the moonlight streaming in, illuminating the little infant’s face. Her eyes were closed, a wisp of blonde hair protruded from underneath the woolen cap about her head.

“Be ready,” whispered the fairy to her companion who held the bundle, “We must be quick.” The fairy who had spoken pressed her fingers against the cold glass of the window to find it locked. She narrowed her eyes, then turned to her companion, “Wait here,” she whispered. Her companion gave another wordless nod.

With the slightest flutter of her wings and the slightest push of her feet against the ground, the fairy flew up to the thatched rooftop, and glided swiftly to the chimney, which she leapt into with the grace of an otter into a stream, and her light body floated silently down the chimney. She scrunched her nose at the smell of the ashes, and as her feet touched the floor of the chimney she uttered the slightest cough, which would have sounded to anyone near like the sweet singing of a breeze through a crack. A large dog lay on a blanket by the front door, and for a moment it’s nose twitched, and the fairy clutched her own chest in fear, but then it exhaled and resumed the rhythmic breathing of sleep.

In a flash the fairy had glided across the room and through the open door to the nursery, and through the window she saw her companion, gazing steely-eyed at the child. She fluttered up to the window and, with more than a little difficulty, undid the latch, trying as hard as she could to be quiet, but the size and the weight of the thing were surprisingly hefty. Finally she had the latch undone, and she pressed her feet against the base of the window, pressed her hands against the sill, and with all the might in her body she pushed and pushed, until a last there was a loud creak and the window slid open, no more than a centimeter. She paused and took a breath, and then she tried again, opening the window a full inch. That was enough.

The fairy turned in fear and fluttered over to the doorway, peering out to see if the sound had roused the dog or the sleepers, but no, there was the creature still sleeping by the front door, and there was the even sound of two adults breathing in their sleep from the next room. The fairy fluttered back to the cradle, and saw that her companion had already slipped in through the open window, the bundle in her arms.

The fairies placed the bundle next to the sleeping baby, and then, they gathered the sleeping child up into their arms, one fairy holding it’s head while the other supported it’s lower body. The fairies were each roughly the same height as the infant, though far slimmer, and unlike the inanimate window, a living creature was infinitely easier to carry for a fairy. They nodded to one another and together they flew up into the air, and, unable to leave through the window, flew directly into the living room. They kept their eyes on the dog, which uttered a slight snore.

It was when they turned to look at the chimney that they started so hard they nearly dropped the baby.

The naked man stood in front of the chimney, facing the fairies, his face hidden in shadow. The fairies’ hearts beat frantically and, had they been less petrified they may have exchanged a look, but were presently too frozen with fear to do so.

The moonlight streaming in from the bedrooms cast a single beam across the man, and illuminated his broad chest, the thick hair on his stomach, and the tangles of hair around his groin, before he took a step forward and his face became clearer.

The man was looking directly at the baby, but the expression on his face was vacant. He took another step forward and then stopped. He kept staring at the baby, who did not move or make a sound.

Everything was silent.

Three seconds passed, then five, then ten. The man did not move, just stared, blank and unfeeling, toward the baby.

The first fairy glanced at her companion and something passed silently between them, until they both nodded and began to rise high into the air, the baby still held between them.

The man’s gaze did not follow. He kept staring at the place the baby had been.

The naked man took a step forward, then another, and passed directly under the fairies, moving toward the doorway of the nursery. The fairies shot to the fireplace as quickly as they could with their load, and then up the chimney. They passed up the dark, mucky place, each holding their breath so as not to cough up the stale air and drop the child, and as they broke free into the moonlight they each gasped the fresh night air.

The two fairies dropped down to the thatched rooftop and set the baby down on it’s flat surface, each taking a moment to breathe a sigh of relief. The first fairy spoke again, “Let’s be quick, now, the moon will fade soon, and we must bring the child as quickly as we can.” The companion simply nodded silently, as she had before.

The sleeping bundle between them, the two fairies ascended and fluttered on through the trees. The infant breathed silently and did not wake.

*

Emma jolted awake at the sound of the dog’s bark. She shot up in bed, her golden hair falling around her shoulders, and instinctively held the blanket up to cover her bare breasts. Her foggy gaze tried to find the doorway, and the shape of the large brown retriever standing in the doorway materialized, it’s tail wagging in agitation, it’s tongue hanging from it’s mouth. Emma looked to her left and reached out a hand for husband, but found his place empty. Her chest, hot with the fast beat or her heart, swam with relief as she realized what had happened.

“It’s alright,” she whispered comfortingly to the dog, “Daddy’s been sleepwalking again, hasn’t he?” She stood from the bed, and brought the blanket with her, drawing it close around her naked body for warmth and comfort, as she bent down to pat the dog on the head, “That’s a good boy. Now where is daddy?” she asked, and the dog immediately padded toward the nursery next door. Emma followed, and was momentarily disturbed by the sight of her husband, standing before the cradle and staring forward, blankly, out the window. Emma crept up quietly behind her husband.

“It’s alright,” she crooned silently, “The baby’s alright, Armand, I know,” and she slipped her arms around the warm flesh of her husband, the blanket coming with her and enveloping them both. She felt a little shudder of recognition from Armand. “It’s alright,” she said comfortingly, “You’re just walking in your sleep. You’ll wake up soon.”

Armand’s warm hand touched Emma’s. His eyes fluttered, and suddenly there was recognition in them. He lost his balance for a moment, but Emma steadied him. “It’s alright,” she whispered, “I’m here.”

Armand’s voice came to him. “Emma?” he asked tentatively.

“Yes, darling, it’s me,” said Emma, “You were sleepwalking again, it’s alright. Looks like you came to check on the baby.”

“Emma…” whispered Armand, “Emma…”

“What is it?” asked Emma worriedly, turning Armand to see a look of shock on his face, “What’s wrong, darling?”

Armand looked down at the cradle.

The blanket fell to the floor as Emma’s hands shot up to her mouth.

Something was inside the cradle, but it was not her baby. It was much smaller, it was the same as the size of the little doll that lay next to where her daughter should have been. It was wrapped in a white silk cloth, and it was moving.

Her head swimming with uncertainty, confusion, and fear, Emma reached down to the little thing which was now wriggling, and pinched the cloth in her fingers, pulling it back.

A little wooden figure, with two stumps for arms and two for legs, and a face with hollowed out carved eyes and a hollowed out mouth, smiled up at them, wriggling.

It’s little carved mouth moved, and a voice came from it.

“Mommy,” it crooned sweetly.

Emma’s heart stopped in her chest, her knees trembled, and then the world became red and pink and green around her, a swirl of colors until it all became an inky black, and she was lost to an abyss.