“Have You Found Jesus?”

As a joke, someone asked me if I’d found Jesus.

The question was a joke, but here’s an answer that isn’t.

I tried very hard. I was zealously Christian. I prayed so hard and so fervently that I literally had rug burn on my forehead from grinding my face into the carpet while I knelt crying and squirming, my heart pounding, begging God to give me the Holy Spirit, begging to feel the touch of Christ the way the preachers on TV said I would.

It never happened, and I gave it a VERY genuine try. I got rid of all my music, my books, I deleted all my poetry and the stories I’d written, I sacrificed everything to God, so that he could remold me. I spent a year reading nothing but the Bible and watching nothing but Christian television, I learned to play hymns on piano. I prayed dozens of times a day.

Absolutely nothing happened. I gave up so much and received nothing. Yet still Christians bark at me that I would know Christ if only I gave up my sinful ways, not knowing that I’m a better Christian now than they are. I know more, I did more, and I tried harder, but in the end, it was all just plain bullshit.

I found Jesus in the only place he ever lived: the communal imagination. And my imagination is too beautiful a place to fill with so stagnant a figure as Jesus.

Advertisements

The Worship of America

Disclaimer: Controversial Opinions is a series in which I’m essentially thinking out loud. I don’t think every one of my opinions is right, and I’m open to changing my mind when shown a new perspective. If any of this starts feeling like a manifesto, I assure you my intention is just to get my thoughts out and off my chest. You’re welcome to agree or disagree, I’m doing this for myself as much as anything, but I do hope you get something out of reading this.

Even though I think religion itself, particularly Christianity, is to blame for the majority of the world’s problems throughout history, it seems to me that there is a religioun in America that often goes unnoticed: the worship of America itself. Nationalism has become an American religion. Growing up in America, I have always been very disturbed by the way Americans treat this particular country and especially it’s symbols.

As a child I was taught to stand at my desk every morning before school, place my hand over my heart, and recite a cult-like chant in which I pledge allegiance to, of all things, the American flag. Even as a child, I was struck by the Orwellian nature of this, though I didn’t know how to express it at the time. The flag is a symbol of America, but it is so revered that it is treated as a religious object, the same way certain icons are in temples and churches. If you didn’t know, there are a set of rules about what you should and should not do with a flag, which are often taught in places like the Boy Scouts. I don’t know all of them, but I have absorbed a few of them from cultural osmosis, and I do know you are never supposed to let it touch the ground and you are not supposed to wear a flag as clothing, or hang it upside down.

What’s even creepier than the fact that children are expected to essentially recite a prayer each morning to the religious icon of the American flag is the droning uninterested monotone with which an entire school does so. As I stood in class reciting the pledge of allegiance, hundreds of other students did it at the same time within my school, and within my state and country there were millions of children, all droning out the monotonous prayer at once, not really concerned with the meaning of the words. Most first graders don’t really know what the word “indivisible” means, but because we have this chant drilled into our heads from our youngest age, we are psychologically prepared to accept the words of the pledge as gospel truth when we are old enough to understand them. It doesn’t occur to use to question it because we were indoctrinated, just like we were with religion.

Indoctrination occurs everywhere. The most popular video games in America are almost entirely shooting games, specifically war games, and even more specifically a lot of those war games are set directly in the middle east, priming young people, mostly boys, to view killing middle eastern people as sport, not to regard them as human. Is it any wonder then, that non-white people and particularly middle eastern people are treated with such racism in America, or automatically assumed to be terrorists?

The national anthem is equally creepy to me. I know that every country has a national anthem, but the way you are instantly ostracized for refusing to stand for the anthem or refusing to say the pledge is terrifying. I tried on a couple of occasions as a child to abstain from saying the pledge of allegiance (think about that, for a moment, the weight of that: CHILDREN RECITE A PLEDGE OF ALLEGIANCE. That is third world dictator type shit), and I was reprimanded by teachers and given looks of confusion by other students.

There’s also an attitude in America that we are the best country in the world. And I mean that literally. I couldn’t tell you how many times I’ve heard people say “America is the greatest country in the world.” But WHY is it great? If you ask most people they’ll give you some platitude about “freedom,” as though we’re the only country in the world with a bill of human rights in our constitution. The vast majority of industrialized countries in the world have the same personal freedoms Americans do, but Americans don’t consider that. As a child, I was told by my mother that in China, no one is allowed to have their own personal property, and people have to stand in line in bathrooms to receive their share of toilet paper. I was told that America is essentially a utopia where people from all over the world come to to escape persecution and share in our freedoms.

That is, of course, bullshit. America ranks incredibly low on a lot of factors that we consider to be marks of a great place to live. We have terrible education scores, we are almost single-handedly destroying the planet, we contain an incredibly small amount of the world’s population and use a larger share of it’s resources than any other country.

The thing that has always confused me about America’s place in the world is HOW it’s allowed to get away with all the things it does. With contributing to climate change, with affecting the environment, with not allowing people to have the same personal freedoms (such as marriage equality or voting equality) that other countries enjoy.

I think about it like this: imagine a house full of people, and this house represents the world, and the people represent countries. If one person in the house is sitting in the corner starting a fire that’s going to spread and burn down the rest of the house, isn’t it the responsibility of all the other people to step in and stop the fire, or stop that person from lighting a fire? Sure, he could say “this is my corner of the house, I’m allowed to do what I like here,” but he shouldn’t have the ability to do something that can endanger the safety of everyone else in the house. So why is America allowed to run rampant and unchecked like a bull in a China shop? Why do all the other countries in the world not sit down and say “Look, America, we can’t let you destroy our planet. Destroy your own country if you want to, but once you’re affecting the rest of us, we have to put a stop to it.” How is America allowed to do what it does?

I know that there is more nuance to all of these things, I do. What I’m doing here is essentially thinking out loud, I’m shouting questions into the void and hoping someone will hear them and consider them. I’ve wanted to do a series about some of my controversial opinions for a while now, and I hope to continue doing these. I know it’s essentially just me ranting, but I like ranting, and I think ranting is useful. My opinions are not set in stone, they’re open to change when new information is presented to me, and I’m open to admitting I’m wrong, but I hope that someone will see the sense in some of what I’m saying.

I Tried To Read The 5th Wave And Failed

I just can’t with this book.

I first saw the Fifth Wave in the bookstore a few years ago when it was brand new, and it seemed pretty interesting. It has a very good premise. It’s a dystopian YA novel (strange how that’s not only a genre now, but an oversaturated and cliche genre. What a weird time to be alive) about a girl surviving on her own in the ruins of Earth after aliens show up and destroy the place.

The alien assault comes in the form of “waves.” The first wave is an EMP blast that disabled all electronic devices and cuts off communication. The second wave is a series of bombs dropped into fault lines that trigger tsunamis which wipe out all human life near coastlines. The third wave is a virus, transmitted by birds, that not only causes people to die a painful and bloody death, but also lose their mind to the point that one victim is shown to have been chained to her bed while she ripped her own fingernails out.

The book begins after the fourth wave has begun. It has a pretty strong opening chapter, and I was hooked very quickly. The narrator, Cassie, switches back and forth between recounting the events of her life before and the way humanity dealt with the attack from “the Others,” and her current mission to travel to a nearby airbase where she believes she might find her younger brother, trekking along desolate highway while being followed by a sniper.

At first, Cassie’s tendency to wax philosophical is charming. I mean, if you can’t contemplate the futility of existence in an apocalypse that somehow manages to combine an alien invasion, a superflu, a zombie virus,, a worldwide flood, a super bomb, and the mass murder of all survivors, you really can’t ever find a time to contemplate anything. But as time goes on, it feels like author Rick Yancey was more interested in using the lens of an uber apocalypse to discuss human society than actually telling a compelling story.

And things only get more ham-fisted from here. Every point is driven home without a hint of subtlety, and simple messages that shouldn’t be difficult to grasp are slammed in with a sledgehammer. The most egregious example of this is a moment that made me roll my eyes almost out of my head. I had to put the book down and Google to see other people’s reactions because I was so incredibly annoyed.

At one point, Cassie is reciting her experience in a camp of survivors. They’re all struggling to survive and trying to figure out what the hell is going on, unsure if anyone is ever going to come and help them. Cassie herself makes a brief reference to religion before this scene, simply saying that when it comes to God, she feels like there’s some kind of a broken promise there. But leaving it at that would be subtle and understated, two things that this book is not. We’re briefly introduced to two characters surviving in the refugee camp: a religious fanatic nicknamed Mother Theresa by the others, and “the sole atheist in our camp, some college professor named Dawkins.”

Yeah, that’s a LITTLE on the nose, Rick Yancey. Let me talk about WHY I hate this so much. The point Yancey is trying (read: failing) to make here is that all fundamentalism is bad, both religious fundamentalism and… non-religious fundamentalism? I mean there’s a problem with trying to explain how someone could be a fundamentalist ahtiest when atheism is simply the rejection of a religious claim, but I get what he’s trying to say here. He’s saying that we should be level-headed in our approach to life, and not get lost moving too far to one side or the other to keep a clear view of the situation.

But this is an actual apocalypse story. The other survivors jeer at the atheist, telling him he’s going to hell, to which he reasonably responds, “How would I know the difference?”

What bothers me so much about this is not just that Yancey went with the most obvious and on-the-nose name choice possible for an atheist character by naming him after Richard Dawkins, though that annoys me too. And I won’t dwell on it for much longer, but I have now found two different interviews in which someone asked him about naming his character Dawkins, and in both of those interviews he chuckled and said “You caught that, did you?” Yeah, Rick. We ALL CAUGHT IT. It was not subtle, or clever, it was ham-fisted and graceless. Anyhow, that’s not what bothers me so much. What bothers me is the idea that in a world where all of the conceivable apocalypses have happened one on top of another, that an atheist would STILL be regarded with disgust. I mean, if you need any more proof that there is no God looking out for you, trying looking around at the nightmarish dystopian hellscape you live in. I get that people would probably turn to their faith for comfort, but like Cassie mentioned earlier in the book before this scene, it’s clear that if there was some sort of promise from God to keep people safe, he didn’t live up to it, and may as well not exist anyway. The idea that this ONE character is the SOLE atheist is ridiculous, particularly when Cassie more or less admitted to being an atheist only a few pages ago.

I did manage to get a bit of revenge when, later on when groups of soldiers arrive to take all young children away to safe houses, Mother Theresa demands that she be allowed to leave too, because “women and children should be taken first, that’s just how things are done,” seeming to go out of her way to throw everyone else under the bus. I might have enjoyed this jab at religiosity more if it hadn’t been countered by an incredibly flawed atheist strawman. Not that his Mother Theresa character wasn’t a straw man too, but at the very least, anyone could sympathize with the atheist character.

At any rate, just when I began to feel really interested in what was happening to Cassie, the story switches perspectives rather abruptly to another character called Zombie, previously Cassie’s high school crush, and his experiences becoming infected with the plague virus, and subsequent recovery. He’s hooked into a computer program called Wonderland that “maps” his experiences, basically downloading his entire personality, memories, feelings and thoughts into a computer, and then he’s sent to boot camp to train in becoming a soldier. Calling the computer program Wonderland is one of several cringe-worthy literary references that might have been clever if they weren’t so cliche. It reminds me of the villain in Cassandra Clare’s Mortal Instruments series being named Valentine, or the way the Looking Glass Wars tried to turn the Mad Hatter and Chershire Cat into anime-style martial arts badasses. It just feels so… silly. There’s kind of a trend in this series of giving silly names like Wonderland, Zombie, Nugget, Razor, Poundcake, and Dumbo. Sometimes they feel like they’re supposed to be references to other works, sometimes they just feel like unfortunate nicknames.

The story switches back to Cassie and manages to get very interesting for a few chapters, because the sniper who had been following her is an alien. Up to this point, no one has seen the aliens, but it is known that there are aliens masquerading as humans and killing people, which is called the Fourth Wave. The Fifth Wave, by the way, is never explained or even mentioned in this book, and won’t be addressed until the final book in the trilogy, but I digress. So the aliens have basically attached themselves to people’s brains and possessed their human hosts, but they aren’t a conciousness which replaces the old one (a la Stephanie Meyer’s the Host), they are still the same person they always were, only they’ve been “awakened” to who they truly are. The alien, Evan, is having trouble deciding on what to do because during the time he was hunting and stalking Cassie, he became attracted to her and began to become obsessed with her, unable to bring himself to kill her, instead nursing her back to health.

Evan is a pretty interesting character. He’s conflicted and you can see that his humanity is ultimately overpowering the alien part of himself. It does however worry me that since he is set up as Cassie’s romantic interest, this book continues the disturbing trend in YA fiction of having a female protagonist fall in love with an abusive or obsessive male partner who gives off some distinctly rape-y vibes. Still, because I’m me, I was just happy to finally have a cute boy involved in the story who I could be vicariously attracted to, because what is young adult fiction without sexual tension?

This, unfortunately, is when the book grinds to a complete halt. Evan and Cassie end up sharing a kiss and he climbs in bed with her, at which point the camera fades to black and we switch to Cassie’s younger brother, a terrified seven year old named Sam, who is brought into the safe houses after being separated from a girl he meets on the bus, and the narrative returns to Zombie, who is now in boot camp. And the book goes Full Metal Jacket on us. And you know, I really tried with this part. Firstly, I find military stories entirely boring, particularly when they involve boot camp, because I tend to view boot camp as a very strange form of physical and mental torture that we as a society have sanctioned as perfectly alright, and this book continues to espouse the supposed virtue of emotionally and mentally destroying a person through weeks and months of torture before “molding them” into a soldier, which even in real life seems to have little effect but destroying a person’s natural empathy and replacing their personality with that of a cold and ruthless machine designed to serve it’s masters, sacrificing any humanity.

But again, I digress.

I have difficulty with boot camp stories because of the above mentioned reasons, but also because it’s really not what this book has been about up to this point. And exactly halfway through the book is a very strange time to take on such a drastic change in tone. I mean, yeah, it’s still the same hopeless dystopia as the first half, but at a certain point the utter hopelessness of the story becomes unbearable. I mean, there IS no victory for these characters. At this point, most of humanity is dead. Even if they somehow defeated the aliens, there’s nothing that can be done, humanity will not survive beyond this point, any attempt to survive is pointless. And Yancey has said that the point of this story is not about victory but about endurance, but still, how compelling is a story of endurance? I mean, at the end of Gary Paulson’s book Hatchet, the main character does eventually get to go back to society. His endurance pays off. Where is the pay off here?

The thing that really pushed me over the line is that the book goes into gruesome detail describing the fate of the people who died, particularly through the lens of Casssie’s younger brother. Not only does the narrative go through the horrific details of his mother’s death and the way he lost everything he ever loved, but it does so while retaining his point of view, so that characters are still called “mommy” and “daddy” and we can see his innocence shattering. It all becomes so incredibly depressing that it’s almost too difficult to bear. This whole book is just steeped in hopelessness, and that’s the problem with it. Once you’ve breathed a sigh of relief, things can only get worse. There is never going to be any payoff for these characters.

The little boy is thrown into boot camp, a ludicrous idea even for a dystopian novel, and the drill sergeant taunts him about the death of his mother, which is probably more monstrous and unforgivable than anything that’s happened up to this point. Now granted, this drill sergeant is an antagonist, but the scene is framed in such a way that it suggests boot camp is a GOOD thing, so what is the message being sent here? I don’t know, but honestly this is the point where the book became too much for me and I had to put it down. I skimmed summaries for the rest of the book and then the rest of the series to sate my curiosity about what happened next, and I’m going to talk about it now, so consider yourself spoiler warned.

This boot camp section carries on for a while, and the narrative doesn’t return to Cassie for a long time, which as I said, grinds the story to a halt, because even though Zombie has been introduced, the central story was still mostly about Cassie. Halfway through the book is a bad time to give this novel a deuteragonist. We’d already followed Cassie, Evan and Sam, and Zombie’s section had been brief enough that it didn’t detract from the overall narrative. Frankly, I just don’t have the patience for this kind of storytelling. I know it may be important to switch focus, but I had to keep willing myself to read on beforehand, through all the gloomy atmosphere, because the story was essentially pretty good and was rolling along. I don’t have it in me to put with a boot camp section, not now. The military aspects of the book seem to be glorifying the military and even though that’s another discussion for another time, it was just too harsh of a tonal shift for me.

So, I was genuinely curious about what the hell the Fifth Wave actually was, and apparently it isn’t even explained until the third and final book in the trilogy. The big secret is that the aliens were never on earth, they were always acting remotely, and the mothership doesn’t actually house the aliens so much as it houses their equipment and their weapons. They controlled people by mapping themselves through Wonderland and then uploading themselves into people’s brains. This is meant to pull the rug out from under you, but Yancey actually did a very weird thing in the way he told the story in the first novel. You see, we learn from Cassie that the military are actually alien-controlled humans, but we switch to Zombie and Sam being cared for by the military and being given explanations about what the aliens are, even though we as readers KNOW they are the aliens. But, the information they’re giving the protagonists seem to be true, so it’s kind of a triple-bluff. I wish that the author had picked a better method of explaining the central story than several info-dumps from the point of view of side-characters, given by unreliable characters. Worse, the villains mostly seem to be pretty good people, except for the two military drill instructor types.

The general theme for this book seems to be that we as the reader are shown something, and then the characters are put into a situation where we know what’s happening and they don’t. That’s a good storytelling method in and of itself, but unfortunately, things get wonky from there. Right when I as a reader think I know what’s going on, the “bad guys” are acting good, and we’re left to wonder who exactly is the villain here. And this isn’t done in an interesting, morally ambiguous way, like a political tale in which every player has their own ends and the lines between good and evil become blurred, it’s just clunky and indistinct, leaving me as a reader not sure if the antagonists are lying or telling the truth, and not sure if the narrative itself is lying to me or telling the truth. There are lies hidden within truths hidden within lies, but it’s spun in a very ineffective way, and just left me scratching my head and unwilling to keep slogging on once the focus of the book shifted halfway through.

In case you’re curious, the ultimate ending of the series apparently keeps piling cliche upon cliche, because the sole fault in the Wonderland program is that the aliens didn’t anticipate that LOVE would become involved, and basically, love can break the spell that the program has on people, as it did with Evan and his (creepy?) romantic obsession with Cassie. Yes, that’s right, it’s the old “love trumps everything” trope, but wait, it gets better.

The reason that the aliens sent their ship there was to destroy human civilization, because humans were destroying the environment and wiping out other species, and apparently the Others go from planet to planet, wiping out civilizations that pose too much of a threat to their environments in order to keep life going. But if that’s the case, what about the Others themselves? If they have this kind of sophisticated technology, then surely they must have developed and incredibly advanced civilization that DIDN’T harm the life around themselves, in which case they could use their technology to travel to planets and help other races to take care of their home worlds, share their own technology with them, or hell, even take over the planet and become benevolent dictators. It seems like the Others went through a HELL of a lot of trouble to wipe out the majority of the human race when inevitably another race will eventually evolve to take it’s place and create it’s own civilization. And from what I can tell from plot summaries of the rest of the series, the real origins of the Others are never explained and they’re never even communicated with directly. What a let down.

The Fifth Wave, by the way, is a series of child soldiers trained by the aliens, who go and destroy what’s left of humanity, by tricking them into thinking they’re killing alien-infested people. Even though the people training them to do this are actually alien-infested, but actually not because of the whole Wonderland thing and ugh, my head hurts.

Even worse, the ultimate end for Cassie is that she downloads the memories and personalities of thousands of long-dead humans into her own mind, basically becoming Super Cassie and going on an army-of-one rampage against the antagonists, ultimately beaming herself onto the mothership with a bomb in hand, blowing herself up and destroying the mothership in the process. I don’t know if this actually defeats the Others, because clearly if they’ve done this with other planets before, they must have more ships. Did this really accomplish anything? So we have a combination of the “love conquers all” trope, the “humans will destroy the planet” trope, and the “sacrifice yourself to save Earth” trope. It’s kind of sad to me that a story with such lofty goals ends with such cliche set pieces.

And then finally, the epilogue of the series involves Zombie and Sam wandering through the ruins of the old world, basically just continuing to survive, and having some philosophical discussion about what a realm is. And that’s it. Like I said, there is no victory. No matter how long Zombie, Sam, and the other survivors make it, no matter how many generations of their children survive, humanity is still dead, all of human history is still destroyed, all of the art and music and literature and memories of past generations is gone. And the world isn’t rebooted in an Eden awash with possibilities, it’s on a planet in which much of the life has been destroyed and what land remains is littered with waste. The end.

How incredibly unsatisfying.

And that’s the Fifth Wave. I couldn’t bring myself to finish it, and honestly I’m kind of glad I didn’t. It set out with some lofty ambition, but ultimately feels pretty pointless. The point of a dystopian story is to try and overcome the dystopia, to begin rebuilding, to create a new and better world, but this? This is just sad, and hopeless from the very beginning. Pain stacked upon pain, often in horrifically morose detail. It’s strange to me that in the world of YA fiction, you can’t directly talk about penises or breasts and you can’t do any more than imply that sex happens, but you can spend chapters describing blood leaking from the eyes of children and infants dying in their cradles and bands of marauders murdering (and raping?) children. It’s a pretty sad state of affairs in general that we are so much more comfortable describing horrific violence in gory detail than talking frankly about something as natural and harmless as consensual sex. Not that that’s Rick Yancey’s fault, it’s just an observation, and it’s certainly not a new one.

And now, I can finally go read Mercedes Lackey.

A Prologue in Darkness

So let me explain what this is. I’ve wanted for a long time to try and condense my thoughts about Christianity into one place, and I doubt it’s something that I could ever encapsulate within one project. But I’ve thought of an idea for a book, in which I go through the major points of the Bible and talk about my perspective on those stories and characters, and how they’ve influenced the world today, and basically just try and deconstruct Christianity, to understand something that has caused me so much heartache and which I feel is such a powerfully harmful force in the world.

Truthfully, I’ve always found most of Christianity’s central mythos incredibly uninspiring, at least when told from the point of view of God as the protagonist. There’s not a lot of magic and adventure, and it’s mostly concerned with farming and deserts. As for the players of the story, Satan is by far a more interesting character who seems to have a much more moral stance, and God consistently behaves in ways that are irrational and inexplicably cruel. Earlier today I wrote down a conceptual outline for the chapters of the book, with each chapter being focused around a certain character or character. For instance, chapter one would be called Adam and Eve, chapter two would be Satan, chapter three would be Cain and Abel, etc. And I could go chronologically through the Christian Bible and touch on the things that interest me and that I want to talk about. The final chapter would be focused on the central character of the Bible, God himself, and would cover the book of Revelation.

I started to get ideas for a prologue, starting the story out right before the creation of the universe, and treating God in the most sympathetic and compassionate light. I’m actually really quite proud of this so I’d love any feedback you may have.

The beginning is not the beginning. The beginning of all things is a mystery, perhaps forever unsolvable. We don’t even know that there was a beginning. But this story begins with a creature, a being who is alone, floating in the vast darkness of the cosmos, floating in nothingness. We don’t know what he looks like. We only call him “he” because it’s the way he will later refer to himself. Perhaps he is vaguely humanoid, with two arms and two legs, hands and feet, and a head fitted with eyes, ears, a nose and mouth. Perhaps he is curled, fetus-like, sleeping in the vast emptiness, dreaming in the dark womb of nothingness, waiting to be born into the cosmos. Perhaps he is a tiny speck, perhaps he is large and monstrous, and perhaps, like all of existence, he is void and without form.
Where did he come from? Does even he know? Is he the only being in existence, or is he a being left over from some previous existence? Was there an ending before all of this? Was there a cataclysm that destroyed the entire cosmos and reduced it to nothingness, leaving only this sleeping catalyst? Was the past universe like a plant that upon it’s death, drops seeds of new life, and this sleeping creature is that seed? What is the nature of this being? Does he have emotions, thoughts, desires? Does he feel pain or love, is he lonely? Is there anyone to equal him, a companion to share his existence with, another being like him? Could he even create another like himself if he wanted? Were there others like him once, and now only he is left?
Perhaps he unfurls his body, such as it is, and stretches his muscles and joints, such as they are. Perhaps he looks around and sees the nothingness. Perhaps he feels afraid. Did he have a mother or father? Did he have a family? Does he remember the answer to this question? Perhaps he looks behind himself, at that expanse of darkness that is the same as every other expanse of darkness. Does he see the past? Or is it as much a mystery to him as it is to all who come after?
Those answers will never come. The mysterious being closes his eyes and gathers his thoughts and emotions. He gathers everything he has, and prepares for one magnificent display, he prepares to create everything. He holds out his hands, and he opens his eyes and his mouth, and creation begins.
A vast explosion, a soundless cosmic bang, and all the light of all the stars and all the galaxies comes pouring from one point of light in the vast darkness, and that point of light is the being who lay in the darkness, and from him come planets and meteors and dust and fire, moons and nebula and molecules and atoms and cells and water, from him comes the infinitely expanding universe with it’s constants and it’s laws, it’s various physics and biologies, it’s planets of rock and mountain and ocean, and from him comes mathematics and science and future and past and magic and reason, pain and hope and love and loss and possibility and infinity.
He finds himself floating in a sparkling universe, still racked with the painful explosions that are it’s birth cries, he looks around at the terrified newborn cosmos, and he smiles, holds out his hands over a sphere of water and rock, and he opens his mouth to speak.