I have been assembling B-Sides like a fucking madman over the last couple of weeks. You know what the secret is? Torrenting. If you’re going to download music illicitly, or go hunting for rarities, use torrents. You can almost always find what you’re looking for, and if you’re missing a specific song, you can do what I do and start checking mediafire and 4shared for individual audio files and comparing minute differences in starting time and audio quality to see which one is superior. I’m sort of an accidental audiophile.
Tori’s Infamous List of Bee Sides
So, of the artists that I “collect,” Tori Amos has unquestionably the most B-Sides (although Ke$ha wins for the most demos/unreleased songs, she has over 80, but I really didn’t bother with them). So, for you Toriphiles out there, I thought I would show you my list of Tori B-Sides as a guide for anyone looking to assemble their own collection of B-Sides. My source for the majority of these files is a thread on a Spanish website called Taringa! where someone very kindly uploaded pretty much every single Tori B-Side, remix, and promo single ever released. Finding it is difficult, I still have to go on a mad hunt for this thread any time I need it, because I never bother bookmarking it, and I also think that it’s been made private now so you have to make an account there to view it (which I did, earlier this year when I first compiled my B-Sides). Also, there are quite a few Tori Amos discography torrents that have a lot of these, and if you can find the torrent with a copy of the 4-disc bootleg called “The Lost Works,” you’re mostly set.
I have done my B-Side hunting for Tori on about 5 different occasions now, always on a different computer each time, and this time I’m getting some CD-R’s and backing this stuff up. Of course I should mention that the best way to go about getting some of these songs is to just BUY the music properly, but some stuff, you’re just not going to be able to find, and some stuff isn’t actually available on CD (like the audio rips of the instrumental versions of tracks from Tales of a Librarian, or the audio rip of Garlands from the bonus DVD in the deluxe edition of The Beekeeper). And for those of you who ARE going to buy the music properly, I have some words of caution for you.
iTunes’ Woefully Inaccurate 1996 Selection
Tori’s third album (and incidentally, my favorite) is called Boys For Pele, released in 1996. If you want to get a copy of this album (and I highly suggest you should), you should know that iTunes has fucked the tracklisting all to hell. Your best bet is to do what I did and order a copy of the album from eBay. I believe I payed about 6 dollars altogether for the physical album, which gave me perfect rips of the tracks without improper audio or tracklisting, for less money than it would cost to purchase the album online. So, there are three editions of Boys For Pele: the original version is 18 tracks long, and has all of the original versions of the songs. The second edition of the album is my personal favorite, and the one you’d find if you were to order the album from any major retailer, like Amazon or Barnes & Noble: this version of the album has one difference from the original, in that the song Talula is replaced with “the Tornado Mix,” which is a version of the song used on the Twister soundtrack. This version is just better than the original, it adds more percussion, makes the song a bit groovier, although it does omit a few little sections of lyrics. If you’re hardcore and want to have everything Tori has ever released, I would suggest putting the original version of Talula in your list of Pele B-Sides, or putting the Tornado Mix in your list of B-Sides. Personally, I just use the Tornado Mix on my Boys For Pele and I’m done with it.
Finally, there is a third version of the album, and this is my least favorite version. The fourth track, Professional Widow, is followed up by the famous Armand Van Helden remix that granted Tori her biggest hit to date when his remix went to the top of the dance charts. Not only does throwing a remix right into the middle of the album mess up the flow of the whole thing, but it also caused one of the songs, In The Springtime of His Voodoo, to be cut completely from this version.
iTunes’ version of Boys For Pele is the third edition of the album, which in itself is already a misrepresentation of the album, but to make things worse, they don’t actually include Professional Widow. Both Professional Widow and the Armand Van Helden Remix are the exact same audio track. It’s just the same track twice in a row. For this reason, I highly, highly suggest buying the original album on eBay or from any major retailer. Hell, if you go into a well-stocked Barnes & Noble, you just might find it.
Now, back to our original mission: B-Sides. The album is not the only thing iTunes has wrong, the Hey Jupiter EP is in even worse shape. The version of Hey Jupiter used here is NOT the Dakota Version (the remix used as the single version of the song, which is about 6 minutes long and includes some heartbreaking additional lyrics), though it’s labelled as such, and the Merry Widow version of Professional Widow, which is an intense, emotional performance of the song live on harmonium, isn’t here either, it’s the original version of the song. Once again, my advice is to buy the physical EP from eBay or Amazon, it’s not very expensive and it’s worth it to get the real stuff.
There’s one another album that iTunes has messed up: Tori’s box set release, A Piano: The Collection. It has all the right audio files, but there are a lot of inexplicable silences at the beginning of the songs. Me and a Gun, for instance, has about 4 seconds of silence before the song begins. It’s not done by the artist, it’s a mistake that for some reasons happens to a lot of album uploaded to iTunes, and I can’t quite explain it. If you really want to support Tori and buy her music, do what I did: purchase A Piano from iTunes, and then go and download a torrent of the album with the proper audio files. That way you’ve payed for it and you’ve got the proper songs.
Apart from the above mentioned releases, the rest of the Tori selection on iTunes seems to be perfectly accurate. The rest of the EP’s are all in good order, I got Crucify, God, and Raspberry Swirl from the iTunes store and they’re the right songs. The only thing is that beginning with Scarlet’s Walk, iTunes has posted multiple versions of the same album, some with no differences from one another. It doesn’t really make a lot of sense, for instance, there are 4 versions of American Doll Posse, one with 23 tracks, one with 23 tracks and a digital booklet, another that is identical to the second one I mentioned, and a third with the digital booklet and bonus videos. It would have much more prudent to either post one edition of the album, or at very least a regular edition and a deluxe edition. But who am I to tell the geniuses at iTunes what to do.
See that? That was a pun. I was being funny. See how funny I am?
On to the B-Sides Already!
So, without further adue, I present to you, my collection of Tori Amos B-Sides. And no, I’m not going to give you download links, because firstly I can’t be bothered to upload them all, and also because collecting these songs isn’t really all that challenging, it just requires a bit of digging around.
Note on my formatting: I include studio tracks first, then songs from soundtracks, and then live tracks. I do not include remixes or alternate versions of songs. Other than that, the songs are pretty much in chronological order of release. Also, for album art, I used some of the Polaroids from the special edition box set of Scarlet’s Walk, just as a way to keep them all uniform, but it’s fun to find different single covers to use as album artwork. All of my information on these songs, as well as the photos I used for album artwork, along with pretty much anything else you would ever need to know about Tori Amos, is from my friend Jason’s very popular Tori Amos fansite, Yessaid.
Little Earthquakes: B-Sides
1 Upside Down [from Me and a Gun single]
2 Thoughts [from Me and a Gun single]
3 Sugar [from China single]
4 Flying Dutchman [from China single]
5 Humpty Dumpty [from China single]
6 The Pool [from Winter single]
7 Take To The Sky [from Winter single]
8 Sweet Dreams [from Winter single]
9 Angie [from Winter/Crucify singles]
10 Smells Like Teen Spirit [from Winter/Crucify singles]
11 Thank You [from Winter/Crucify singles]
12 Here. In My Head [from Crucify single]
13 Mary [from Crucify single]
14 Ode To The Banana King (Part One) [from Silent All These Years single]
15 Song For Eric [from Silent All These Years single]
16 Ring My Bell [Anita Ward cover – from Ruby Trax: The NME’s Roaring Forty]
17 The Happy Worker [from Toys Soundtrack]
18 Little Earthquakes (Live) [from Crucify single]
19 Crucify (Live) [from Crucify single]
20 Precious Things (Live) [from Crucify single]
21 Mother (Live) [from Crucify single]
22 Happy Phantom (Live) [from Silent All These Years single]
23 Silent All These Years (Live) [from Silent All These Years RAINN re-release single]
What’s missing: there is a single edit of China, as well as an edit of Flying Dutchman, both featured on the french China single, that I didn’t include. There’s also a remix of The Happy Worker called “Workers,” I don’t know if it’s an official release, but I didn’t include it. I also didn’t include the single remix of Crucify, not because I don’t like it but because it’s on A Piano: The Collection. In fact, A Piano saves me the trouble of including any of the single mixes, because they’re all featured in the box set.
Under the Pink: B-Sides
1 Sister Janet [from Cornflake Girl single]
2 All the Girls Hate Her [piano suite – from Cornflake Girl single]
3 Over It [piano suite – from Cornflake Girl single]
4 A Case Of You [Joni Mitchell cover – from Cornflake Girl single]
5 If 6 Was 9 [Jimi Hendrix cover – from Cornflake Girl single]
6 Strange Fruit [Billie Holiday cover – from Cornflake Girl single]
7 Home on the Range (Cherokee Edition) [traditional folk song with some added lyrics – from God single]
8 Daisy Dead Petals [from Pretty Good Year single]
9 Honey [from Pretty Good Year single]
10 Black Swan [from Pretty Good Year single]
11 Losing My Religion [R.E.M. cover – from Higher Learning Soundtrack]
12 Butterfly [from Higher Learning Soundtrack]
13 Famous Blue Raincoat [Leonard Cohen cover – from Tower of Song: The Songs of Leonard Cohen]
14 Down By The Seaside [Led Zeppelin cover with Robert Plant – from Encomium: A Tribute to Led Zeppelin]
15 Upside Down (Live) [from Past the Mission single]
16 Past the Mission (Live) [from Past the Mission single]
17 Icicle (Live) [prefaced with a story from Tori – from Past the Mission single]
18 Flying Dutchman (Live) [from Past the Mission single]
19 Winter (Live) [from Past the Mission single]
20 The Waitress (Live) [from Past the Mission single]
21 Here. In My Head (Live) [from Past the Mission single]
What’s missing: every remix of God, and a live performance of Little Drummer Boy that was included on You Sleigh Me: Alternate Christmas Hits as well as More Pink: The B-Sides, the second disc of Under the Pink’s special Australian/New Zealand tour edition. I didn’t include it because firstly, no recordings of it, not even the one featured on More Pink, are very good quality, secondly because I just don’t like it, and thirdly because I haven’t really bothered to hunt around for it. There’s also a single edit of Cornflake Girl that I actually really like, which skips right ahead to the bridge after the second chorus, and I enjoy it as much as the original, they don’t cut out any singing, just a bit of rhythm playing between the second verse and the bridge.
It helped with some of these that the photos are the same color scheme as the album.
Boys For Pele: B-Sides
1 This Old Man [traditional folk song – from Caught a Lite Sneeze single]
2 Hungarian Wedding Song [from Caught a Lite Sneeze single]
3 Toodles Mr. Jim [from Caught a Lite Sneeze single]
4 London Girls [Chas & Dave cover – from Caught a Lite Sneeze single]
5 That’s What I Like Mick (The Sandwich Song) [Chas & Dave cover – from Caught a Lite Sneeze single]
6 Samurai [from Caught a Lite Sneeze single]
7 Graveyard [from Caught a Lite Sneeze single]
8 Amazing Grace – Til the Chicken [the first song is a traditional folk song – from Talula single]
9 Frog On My Toe [from Talula single]
10 Sister Named Desire [from Talula single]
11 Alamo [from Talula single]
12 Blue Skies [from Party of 5 Soundtrack]
13 I’m On Fire (Live) [Bruce Springsteen cover – from VH1 Crossroads]
14 Landslide (Live) [Fleetwood Mac cover – from Y-100 Sonic Sessions: Volume 1]
15 Sugar (Live) [from Hey Jupiter single]
16 Honey (Live) [from Hey Jupiter single]
17 Professional Widow (Merry Widow Version – Live) [A very different version of the song played on harmonium – from Hey Jupiter single]
18 Somewhere Over The Rainbow (Live) [Judy Garland cover – from Hey Jupiter single]
What’s missing: Well the obvious missing links are the Armand Van Helden remix of Professional Widow, along with every other remix of the song. There are also remixes for Talula, In The Springtime of His Voodoo, and even some unreleased remixes of Horses that aren’t included here. The Dakota Version of Hey Jupiter isn’t included either, for the same reason a the Crufiy single remix: both the Professional Widow remix and the Dakota Version of Hey Jupiter are on A Piano: The Collection. I also didn’t include the Tornado Mix of Talula because I have it filed under the album itself, and just omit the original version of Talula altogether. If you wanted to include it, I’d recommend putting it right between Graveyard and Amazing Grace, since that would be where you’d find it chronologically.
From the Choirgirl Hotel: B-Sides
(the amount of B-Sides drastically decrease after Boys For Pele, both because Tori started releasing remixes of her songs, and also I assume because CD singles were beginning to become obsolete. I personally enjoy a nice single EP)
1 Purple People (Christmas In Space) [from Spark single]
2 Have Yourself A Merry Little Christmas [traditional folk song – from Spark single]
3 Bachelorette [from Spark single]
4 Do It Again [from Spark single]
5 Cooling [from Spark single]
6 Beulah Land [from Jackie’s Strength single]
7 Never Seen Blue [from Jackie’s Strength single]
8 Finn [from Great Expectations soundtrack]
9 Siren [from Great Expectations soundtrack]
10 Merman [from No Boundaries: A Benefit for the Kosovar Refugees]
What’s missing: Every remix of Raspberry Swirl, Spark, Cruel, Jackie’s Strength, and Father Lucifer. Although I do personally like some of those remixes, I just don’t like including remixes in my B-Sides. There’s also a track in the Great Expectations score called Paradiso Perduto that features some Tori vocals, but I didn’t include it here either, both because I just didn’t want to and because it’s annoying to try and hunt down the score.
I used the garden because of Datura. Aren't I clever?
To Venus And Back: B-Sides
(Venus doesn’t actually have any original B-Sides, they’re all live performances that I assume were scrapped from Still Orbiting. It is interesting to note that all of the live performances featured as B-Sides are Tori playing solo without the band. The only thing that can be considered a B-Side from this album is Carnival, which is a song featured on the Mission Impossible 2 soundtrack. I personally think it looks weird and throws off the way the Venus B-Sides look. You might want to tack it on to the end of the Choirgirl B-Sides, even though it’d be chronologically incorrect, since Venus was the album that was out when she did the song)
1 Carnival [from Mission Impossible 2 Soundtrack]
2 Hey Jupiter (Live) [from 1000 Oceans single]
3 Upside Down (Live) [from 1000 Oceans single]
4 Baker Baker (Live) [from Glory of the 80’s single]
5 Winter (Live) [from Glory of the 80’s single]
6 Famous Blue Raincoat (Live) [from Concertina single]
7 Twinkle (Live) [from Concertina single]
What’s missing: the single mix of Concertina. However, as with the other single mixes, it’s included on A Piano: The Collection. I don’t ever let songs repeat in my collection, because as you can clearly see, I am extremely organized. On that note, this is not technically organized chronologically, because Famous Blue Raincoat and Twinkle were released on the Glory of the 80’s single first, but I prefer them in this order.
Strange Little Girls: B-Sides
1 After All [from Strange Little Girl single]
2 Only Women Bleed [from Strange Little Girl single]
What’s missing: not much. There are only two B-Sides for this whole album, and they were included on the same single, which is the ONLY official single released for the album. There is a promo single of Strange Little Girl, which contains supposed “single edits” of Strange Little Girl, ’97 Bonnie & Clyde, and Heart of Gold. I cannot find any difference between the “single edits” and the album versions, but I wouldn’t have included them here regardless.
Scarlet’s Walk: B-Sides
(some of the songs that I’m crediting as being released on Scarlet’s Hidden Treasures, the bonus CD that comes with Welcome to Sunny Florida, were originally released on Scarlet’s Web, a website that was accessible using the Scarlet’s Walk CD, but not only are the versions released on Welcome to Sunny Florida of generally better audio quality, they’re also just better in that order because it makes a very nice EP)
1 Ruby Through The Looking-Glass [from Scarlet’s Hidden Treasures]
2 Seaside [from Scarlet’s Hidden Treasures]
3 Bug A Martini [from Scarlet’s Hidden Treasures]
4 Apollo’s Frock [from Scarlet’s Hidden Treasures]
5 Tombigbee [from Scarlet’s Hidden Treasures]
6 Indian Summer [from Scarlet’s Hidden Treasures]
7 Operation Peter Pan [from A Sorta Fairytale single]
8 Mountain [from Scarlet’s Web]
What’s missing: the single mix, and the 101 mix, of A Sorta Fairytale. Both of them are good mixes, though. Also it should be noted that there are no versions of Mountain of very high audio quality, as far as I’ve been able to find at least. There are also some remixes of Make Me Come To Vegas, and some radio versions of Taxi Ride and Strange, that I am completely not interested in.
To be honest, that’s the end of the B-Sides as we know them, there have been singles or EPs released after Scarlet’s Walk, and we now get our B-Sides from poorly put-together bonus DVDs, and deluxe editions of the albums. However, for your convenience, I’ll include the remaining bonus tracks.
Tales of a Librarian: B-Sides
(there is one “reconditioned” [or “badly remastered”] version of Putting the Damage On that didn’t make the physical album, but it is on the bonus DVD, as well as the iTunes release. The live performances are taken from the sound check of the performance that was used on Welcome to Sunny Florida. I personally don’t have any of these in my library.)
1 Putting the Damage On [reconditioned version – bonus track on iTunes release of Tales of a Librarian]
2 Mr. Zebra (Instrumental) [from Tales of a Librarian bonus DVD]
3 Putting the Damage On (Instrumental) [from Tales of a Librarian bonus DVD]
4 Pretty Good Year (Live) [from Tales of a Librarian bonus DVD]
5 Northern Lad (Live) [from Tales of a Librarian bonus DVD]
6 Honey (Live) [from Tales of a Librarian bonus DVD]
What’s missing: There is a radio edit of Mary that was released on a promo single, but my rule for Tori B-Sides is that I don’t include alternate versions, all the important ones, except for A Sorta Fairytale’s single version, can be found on an official release somewhere.
The Beekeeper: B-Sides
1 Garlands [from The Beekeeper bonus DVD]
What’s missing: there are some audio rips of Tori playing live on the DVD, but I’m not interested. In my iTunes, I have this filed as Garlands – Single, and I used the Sleeps With Butterflies artwork. Just a suggestion.
American Doll Posse: B-Sides
1 My Posse Can Do [from American Doll Posse bonus DVD]
2 Miracle [bonus track from iTunes release of American Doll Posse]
3 Drive All night [bonus track from Borders release of American Doll Posse]
What’s missing: Not a thing. And in fact, the final three tracks on the album are apparently bonus tracks themselves, but there’s no version that doesn’t feature them, so I don’t quite see how they’re bonus tracks. Incidentally, Posse Bonus is an entire song dedicated to telling you that you’re getting bonus tracks. Yeah, it’s safe to say Tori’s albums are a little less entertaining nowadays when you get an entire number about your bonus tracks… Also, My Posse Can Do is an audio rip from the bonus DVD on the deluxe edition of American Doll Posse, I don’t know of anywhere you could properly buy the audio file, but the audio file is floating around, and can be found on some torrents.
Abnormally Attracted to Sin: B-Sides
1 Oscar’s Theme [bonus track on iTunes release of Abnormally Attracted to Sin]
What’s missing: That’s it, it’s just Oscar’s Theme. It’s track 18 on one of iTunes releases of the album.
Midwinter Graces: B-Sides
(All of these are covers of traditional folk songs. There are some original songs on the album, and Tori adds/changes some lyrics on all of the carols, but these tracks are still traditional folk songs)
1 Comfort and Joy [bonus track on deluxe version and iTunes release of Midwinter Graces]
2 Stille Nacht! Heilige Nacht! (Silent Night! Holy Night!) [bonus track on deluxe version and iTunes release of Midwinter Graces]
3 Good King Wenceslas [bonus track on iTunes release of Midwinter Graces]
What’s missing: Unless you want to count the bonus interview on the DVD of the deluxe version and the iTunes release as a B-Sides, nothing’s missing from here.